Out this week: This Is Why I Came by Mary Rakow; The Baker’s Tale by Thomas Hauser; and Late In the Day, a new collection of poems by Ursula K. LeGuin. For more on these and other recent titles, check out our Great Second-Half 2015 Book Preview.
David Orr writes for The New York Times about Christopher Gilbert’s new collection of poems, Turning Into Dwelling, and the importance of innovation in poetry. As he puts it, “One of the hidden strengths of art is that there is always the possibility that what had seemed like a final breath may simply be the long pause before a new inhalation.” Pair with Andrew Kay’s Millions essay on the power of poetry.
Recently, we featured five writers' reminisces about the novels they ultimately shelved. Here a sixth, Elmo Keep, explains what led her to throw away her first novel, quite outside considerations of craft:"I could not resolve the conflict of a story that was not mine."
The Longreads team has teamed up with Syracuse assistant professor Aileen Gallagher in order to “search for and share outstanding student work.” If you’ve read (or written) something fantastic this past school year, they encourage you to tag it #college #longreads on Twitter or Tumblr.
Sam Tanenhaus asks, What do this season’s political books tell us about the election? As he puts it, “Election-year analyses always seem to arrive too late or too soon. They are useful nonetheless. The mistakes and misapprehensions — what the authors thought they knew — mirror the broader thinking of their moment.” Pair with this Millions essay on politics and excessive language.
Is “literary” fiction just a product of clever marketing? Elizabeth Edmondson thinks it is. At The Guardian, she argues that classically literary authors like Jane Austen had no idea they were writing Literature -- posterity classified their work as such later on. Her essay dovetails nicely with our own Edan Lepucki's argument that literature is a genre.