In honor of Lolita’s 60th anniversary, Alexandra Kleeman, Josephine Livingstone, Anna Wiener, and seven other writers reread Nabokov’s magnum opus. Pair with this Millions essay about designing the book cover.
Leave it to Roxane Gay to come up with a novel format for an essay on the feminist novel. In the new issue of Dissent, she presents eleven theses on the topic, including references to Toni Morrison’s Beloved, Erica Jong’s Fear of Flying, and Jeanette Winterson’s Oranges Are Not the Only Fruit. Sample quote: “Not every novel that concerns itself with the lives of women is a feminist novel. Fifty Shades of Grey is not a feminist novel.” You could also read our own Edan Lepucki on the problem with feminist anthems.
Recent Year in Reading alum Rebecca Makkai writes about the difference between publishing your first book and your second book for Ploughshares. Let’s just say it’s the difference between champagne and “all the whiskey.” Pair with Zhanna Slor‘s Millions interview with Makkai in which they discuss that second book, The Hundred-Year House.
In 1977-1978, a public access TV show called Public Access Poetry featured leading poets from across the country (Ted Berrigan, Ron Padgett, Eileen Myles, John Yau, Brad Gooch). Thirty-one episodes are now online, but the Poetry Project at St. Mark’s is seeking funding to post the remaining fifteen reels.
Attention New Yorkers: The 2010 PEN World Voices Festival kicks off today with Claire Messud, Lorraine Adams, and Norman Rush. Update: Audio of this stimulating discussion of diversity in literature is available at WNYC. And it looks like many World Voices events will be streaming live at the PEN Website, accessible whether you hang your hat in New York or Nome (or Wasilla). Tonight catch Patti Smith, Rodrigo Frésan, and Salman Rushdie.
Anne Carson, author of Nox (reviewed by Jane Alison last year), has a new book out, Antigonick, in which the translator and poet collaborates with an artist and designer to produce an unconventional translation of Antigone. Unfortunately, Amanda Shubert calls it “the first book of Carson’s where … her scholarly impulse barricades textual meanings. Usually it provides a generous way in.” Yet despite its problems, Shubert notes there are still “moments of brilliance,” and indeed the act of “doing Sophocles as a graphic novel … is kind of ingenious.”