Good news! According to Vinson Cunningham’s new essay in The New Yorker, beauty merely “masks and perfumes … it freezes moral categories in place,” whereas ugliness, on the other hand, “is sometimes the closest thing to the truth.” Wait, is that good news? Bonus: Vinson wrote a Year in Reading piece for us.
The Truth Hurts
The Curse of the Diaeresis
Okay, so the deal with the famed and occasionally disdained New Yorker umlaut on words like “cooperate” is that it is not an umlaut, it is a diaeresis, and they’ll be holding onto it, thank you very much.
New Rooms
Roald Dahl’s estate has released a 1961 draft chapter of Charlie and the Chocolate Factory. The draft reveals a number of little-known characters the author later excised from the book. It also reveals that, at one point, the story featured as many as 10 golden tickets. The Guardian has the draft chapter in full.
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Hiding Under the Covers
The book cover is in decline, Tim Kreider writes. “It seems as if sixty-five per cent of all novels’ jackets feature an item of female apparel and/or part of the female anatomy and the name of some foodstuff in the title—the book-cover equivalent of the generic tough-guy-with-gun movie poster with title like ‘2 HARD & 2 FAST.'” We judge books by their covers, too.
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“It tasted like iron and foam was coming out of our mouths”
The VQR‘s last issue, “The Soviet Ghost,” was one of the most heart-wrenching reading experiences I’ve had in a long time. Now it’s got a series of video interviews with Chernobyl workers to seriously depress (and also greatly inform) you all over again.
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Librarians on the Front Lines
“There are times it’s happening multiple times a day. Not too long ago, we had two in the same restroom at the same time. We call security, security calls paramedics. Of course they always find somebody lying there.” Samantha Sanders writes for Catapult about the epidemic of opioid overdoses in public libraries, and what some librarians are doing to respond. And ICYMI, here is Corinne Purtill in our own pages about British libraries under austerity cuts.
A Literary Showman
Our own Nick Ripatrazone writes for The Literary Hub about Don DeLillo’s deep Italian-American roots. Pair with Ripatrazone’s Millions review of DeLillo’s new novel, Zero K.
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