Recommended Reading: This fantastic new story from The London Review of Books by Hilary Mantel, winner of two Booker Prizes. Here’s an interview with Mantel from The Millions on character assassination and dealing with the haters.
How do you write poems about a culture that has been erased from history and one you don't fit into? Tess Taylor delved into the complications of her Southern family's past for The Forage House and attempted to excavate the unwritten parts of their history. "The non-writing down of people is intensely violent," she told The Oxford American in a recent interview. Pair with: Our own Michael Bourne's essay on the collection and its implications.
In a digital age, what’s the point of handwriting? It may seem like there isn’t much point to honing one’s penmanship these days. In Hazlitt, Navneet Alang suggests that handwriting, far from being a lost art, is in fact a “useful alchemy” that retains particular uses. You could also read our own Kevin Hartnett on writing by hand.
Ad-driven e-books may be something we'll all have to deal with in the future. At the Melville House blog, Dustin Kurtz explains why ads that pop up while a person is reading might well be an inevitable development. (If you’re like me, your reaction to this is simple: ugh.)