“The worst insult people hurl at adoptees is that they are ‘ungrateful’ and should ‘go back’ (to their ‘own’ countries, to their old families). That is the moment when adoption becomes a gift—because that is the moment when it becomes clear that adoption belongs to people like the adoptive parent and not people like the adoptee. We shouldn’t want our birth families, our birth cultures. We should be thankful for being taken from the mothers who bore us. This idea of gratitude can ruin thankfulness. Why should we be grateful?” Matthew Salesses writes about gratitude and luck as an adoptee, over at The Toast. You could also check out Salesses’s Millions essay on novel writing, inciting incidents, adoption, and beginnings.
We celebrated Canada Day a bit early here yesterday with the news that Alice Munro won the Nobel Prize for Literature and our review of Margaret Atwood’s MaddAddam. So what is Canadian literature exactly? Atwood offered her definition for The Daily Beast: “It’s too multiple [to give a concise definition], but let us say that the point of view (if the writer is not pretending to be American, which they often are) is never that of someone who feels that their country is an imperial power. Because, in fact, Canada is not an imperial power.” You can also see The Handmaid’s Tale at the Royal Winnipeg Ballet next week.
In a move that will likely become more and more common, The Weinstein Company has inked a deal with Netflix to license some of its latest (and most critically acclaimed) films to Instant Watch instead of traditional cable outlets. Coriolanus, Undefeated, and The Artist will be among the first titles released. Elsewhere, Vanity Fair profiles Netflix’s “bloody but only slightly bowed” CEO, Reed Hastings.