Dave Griffith writes for The Paris Review about reading Flannery O’Connor’s “The Displaced Person,” an immigrant story set in the South, in the age of Islamophobia. Pair with Nick Ripatrazone’s Millions essay on teaching and learning from O’Connor.
Leslie Jamison, whose collection Empathy Exams was widely praised on The Millions, has earned a two-book “mega” deal with Little, Brown. The new deal promises to deliver another essay collection entitled Ghost Essays, as well as a work of “narrative nonfiction” entitled Archive Lush. (Bonus: We interviewed Jamison for the site last May.)
Deeply saddened to hear news that Jake Adam York died today. York published three critically acclaimed poetry collections between 2005 and 2010: Murder Ballads, A Murmuration of Starlings, and Persons Unknown as well as an additional work of literary history The Architecture of Address. Much of his work is available online as well, such as his poems “Vigil” and “Self-Portrait as Superman.” Edit: The Kenyon Review has uploaded three recordings of York reading his poetry. These are highly recommended as well.
It appears that our own Sonya Chung’s consideration of underappreciated Russian writer Sergei Dovlatov played a role in getting one of his stories published in a forthcoming issue of PEN America.
“Independent bookstores are intellectual centers of a city.” Our own Bill Morris, who’s currently on tour for his latest book, Motor City Burning, writes for The Daily Beast about the importance and continued relevance of bookstores in the age of Amazon.
Just in time for today’s Booker announcement, a pair of shortlisters are now (or will be tomorrow) available stateside: In a Strange Room by Damon Galgut and The Finkler Question by Howard Jacobson. Ian Frazier’s big travelogue (generously excerpted in the New Yorker) Travels in Siberia is out, as is Adam Levin’s massive The Instructions from McSweeney’s. Three more: Djibouti by Elmore Leonard, How to Read the Air by Dinaw Mengestu, and a gorgeous Library of America edition of “six novels in woodcuts” by pioneering graphic novelist Lynd Ward.