Dave Griffith writes for The Paris Review about reading Flannery O’Connor’s “The Displaced Person,” an immigrant story set in the South, in the age of Islamophobia. Pair with Nick Ripatrazone’s Millions essay on teaching and learning from O’Connor.
Prejudice and the Grotesque
A Classic of the Future
“The thriller, set in a dystopian future where women and girls can kill men with a single touch, was the favourite on a shortlist that included former winner Linda Grant and Man Booker-shortlisted Madeleine Thien.” Naomi Alderman’s The Power has become the first speculative work to nab the Baileys prize for women’s fiction, reports The Guardian, noting that the judges said Alderman’s book would be “a classic of the future.” See also: a few years back we highlighted a collaboration between Alderman and Year in Reading alum Margaret Atwood, a comic zombie novel that you can still read in its entirety here.
●
●
Writers on Reading
How do writers read? Elisa Gabbert asked ten writers, including Teju Cole and Laura Van Den Berg (who wrote about her pet wolf Natasha for The Millions), about their reading habits for The Believer.
●
●
Writing Without Reading
Buzz Poole expands Macy Halford‘s riff on the consequences of writing without reading. In the process, he refers back to last month’s popular piece here at The Millions by Steve Himmer.
●
●
A Culture of Optimism
Reflecting on the sales figures of Lean In and How to Win Friends and Influence People, Sarah L. Corteau wonders: could it be that self-help is America’s quintessential genre? (You could also read Alan Levinowitz on the paradox of Christian self-help books.)
●
●
fragment:story
If you know what the phrase “hypertext story” means, you’re likely at least passingly familiar with new media literature, which first appeared all the way back in the days of floppy disks. At Ploughshares, a brief introduction to the genre, with a nod to hypertext ur-teacher and novelist Robert Coover. You could also read Guy Patrick Cunningham on writing in the digital age.
●
●