The good people over at The Rumpus have added another fantastic essay to their Albums of Our Lives series. This week, it’s Jonathan Kime who gives The Cure’s crushing, overwhelmingly melancholic 1989 album Disintegration the track-by-track treatment. Earlier iterations included Sufjan Stevens and Jason Isbell.
“They’re pictures, not images; displays, not shots; illustrations, not compositions. They are respectful displays of performance—of the demonstrative theatrical antics into which Anderson lets his performers lapse.” Richard Brody on the film version of Thomas Pynchon’s Inherent Vice.
The Columbia Spectator is about to embark on “a list of 50 books that we think capture the essence of each state.”Daniel Menaker, former head of Random House, is set to host a new internet literary talk show called “Titlepage.” It will be modeled after “‘Apostrophes,’ a popular French literary program; ‘The Charlie Rose Show’ on public television; and ‘Dinner for Five,’ in which a group of actors discussed their craft, on the Independent Film Channel.” Guests on the first show include Richard Price and literary it-boy Charles Bock.Quite a resource: The Stanford Encyclopedia of Philosophy. Among the many entries: Death, God and Other Necessary Beings, Nothingness.We Feel Fine: Art from the hive mind.Landscape Urbanism Bullshit GeneratorFree Rice: procrastination fun for those with big vocabularies.The Corporation of London Libraries and Guildhall Art Gallery image database – huge, searchable collection of historical images of London, from which one can order prints.The Port Huron Statement, a part of the UVA Sixties ProjectTen Recurring Economic Fallacies – Put to rest “The Broken Window,” “The Beneficence of War,” and more.
This one is for all you antiquarians out there. The oldest known draft of the most widely read work in all of English literature, the King James Bible, has been discovered in the archives at Sidney Sussex College in Cambridge. William Shakespeare’s books have also sold a ton of copies, and here’s an essay from The Millions that imagines him as a kind of God, Himself.
“But we are lured into believing that the first person is the manifestation of an authentic self. Or: we fall for the first person because we feel so little coherence in our own internal lives, and immersing ourselves in a sustained first person narrative gives us the false reassurance of an illusion.”