The good people over at The Rumpus have added another fantastic essay to their Albums of Our Lives series. This week, it’s Jonathan Kime who gives The Cure’s crushing, overwhelmingly melancholic 1989 album Disintegration the track-by-track treatment. Earlier iterations included Sufjan Stevens and Jason Isbell.
His new novel, Sunset Park, finds Paul Auster leaving behind the metafictional gamesmanship of his recent work for a look at our new Age of Austerity. This week, he talks to The L Magazine about the neighborhood from which it takes its title and inspiration...
"Over the course of our conversation, I’ve come to understand that he has not written (Thomas Jefferson Dreams of Sally Hemings) to provoke or to engender a self-serving sense of shock; he has written with a belief in the possibilities of liminal space and in the revelations that occur at the point of tension. The result is a book that jars, unequivocally, and that disquietingly brings to the surface the anguish of past and present America." Stephen O'Connor's poetic reimagining of the relationship between Thomas Jefferson and the enslaved Sally Hemings has certainly raised some eyebrows. This interview with Melody Nixon at BOMB gives O'Connor a platform from which to explain his idea.
Out this week: The Magician's Land by Lev Grossman; The Kills by Richard House; When the World Was Young by Elizabeth Gaffney; Secrets of the Lighthouse by Santa Montefiore; The Scatter Here is Too Great by Bilal Tanweer; Ride Around Shining by Chris Leslie-Hynan; Painted Horses by Malcolm Brooks; The Liar’s Wife by Mary Gordon; The Dog by Jack Livings; Bluff City Pawn by Stephen Schottenfeld; Beneath the Neon Egg by Thomas E. Kennedy; 2 A.M. at The Cat’s Pajamas by Marie-Helene Bertino; and Bad Feminist by Year in Reading alum Roxane Gay, who also came out with a novel a few months ago.
"A good translation, Han’s subconscious seems to suggest, is a living, breathing thing, which must be understood on its own terms, discovered from beneath the great white sheet." The New Yorker explores Han Kang's novels and the complex nature of translation. From our archives: The Millions review of Kang's The Vegetarian and an essay on what gets lost (and transformed) in translation.