The good people over at The Rumpus have added another fantastic essay to their Albums of Our Lives series. This week, it’s Jonathan Kime who gives The Cure’s crushing, overwhelmingly melancholic 1989 album Disintegration the track-by-track treatment. Earlier iterations included Sufjan Stevens and Jason Isbell.
“I struggled, quite a bit, writing this review. Reviewing books, while easy in certain ways — you have certain aspects of form to follow, there are certain features of books that cannot go unremarked: one must write about character, about language, about technique — and really a rather simple process (much simpler, it would seem, than writing books), can also be a pain. Especially, frustratingly enough, when the book is really good.” On Lola Lafon’s We Are the Birds of the Coming Storm.
“It would be hard for anybody who has dealt with suicide to not have a heightened awareness of things, to perhaps be a little more cautious about things.” A Colorado school district has officially pulled the book 13 Reasons Why out of circulation, reports The New York Post; not surprisingly, some librarians are rankled. Pair with this case against book banning, which focuses on number 15 on the list of 100 most challenged books released by the ALA, Toni Morrison‘s The Bluest Eye.
“It’s easy to attribute genius to a dead man, a legendary philanderer, liar and self-mythologizer who died beautiful and curly-haired. But ‘What About This’ is an authentic outpouring like a warm river in full flood; you get swept off the bank and its languid physicality destroys you.” On Frank Stanford’s Collected Poems.
You don’t need to visit Houghton Library in Cambridge, MA to check out Emily Dickinson’s family artifacts. You can catch a glimpse from the comfort of your own home.