The final PEN Literary Award Longlists are posted today! Check out all of the lists here. Longlisters include Angela Flournoy (whom we interviewed, and who has written a Year in Reading for us), Marilynne Robinson (who is known for her singular vision), Renata Adler (about whom we have made six possibly true observations), and David L. Ulin (whose Year in Reading is here).
“Her pincers tore at me… I stormed her openings as if she was a beleaguered fortress.” We’re wincing-slash-laughing at Lapham’s Quarterly‘s infographic of authors’ attempts to put sex down on the page throughout history. Pair with author Julia Fierro‘s great piece about trying to *do it* in her first novel.
In his 2001 treatise, Double Fold: Libraries and the Assault on Paper, Nicholson Baker lamented the wholesale transfer of newspaper archives to microfilm and the subsequent destruction of the originals (A recent essay here at The Millions argued that this is still a big problem). But, according to an article in The Missourian newspaper, microfilm may at least be far more permanent than easily corrupted digital archives. As executive editor Tom Warhover notes: “How about those perfectly preserved newspaper pages that have been digitally fossilized? They’re usually stored on hard drives, which can wear out quicker than your grandmother’s underwear.”
Can’t get enough of Orange is the New Black? Neither could The Missouri Review. Their new blog series, Literature on Lockdown, shares narratives from those who teach or write in prisons. This week’s post comes from Ace Boggess, a poet who spent five years in a West Virginia prison. “One thing about being a writer in prison is that you have not lost everything. You still have that driving need to speak whatever truth you know in whatever way you can. No one can take that away from you, not even the State.”