David Kurnick explores what makes Elena Ferrante’s Neapolitan novels so addictive. As he puts it, “In Ferrante we see what grand novelistic ambition looks like devoid of writerly vanity.” Pair with Cora Currier’s essay on reading Italy through Ferrante’s books.
Novelistic Ambitions
But When Will They Play “Free Bird?”
Meanwhile, in NPR’s recording studio, classically trained violinist Aleksey Igudesman and pianist Hyung-ki Joo perform the most original rendition of “I Will Survive” you’re going to hear all year.
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More Keller
Here are a couple more pieces on Bill Keller’s departure as executive editor of The New York Times. An interview with Esquire conducted not long before his announcement: “Newspaper publishers have done more to kill newspapers than any innovative form of media.” And New York describes how Keller’s recent cranky columns about new vs. old media ticked off the newsroom.
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“Bob wasn’t the settling sort.”
I promise you that the best thing you’ll read today is this remembrance of the Kilimanjaro climbin’, chemotherapy-cocktail imbibin’, tank bustin’ and cricket playin’ life of Major Robert Crisp, D.S.O, M.C.
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The Book Was Better
The Book Was Better is a podcast that “debates, discusses, and rips into the (often) hastily written and terrible book-of-the-film” adaptations for movies like Wild, Wild West, Hackers, The Net, and (try not to be upset by this one…) Jumanji. (Those episodes can be found here, here, here, and here, respectively.)
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The Rise of Annotated Literature
Recommended Reading: On how Martin Gardner’s The Annotated Alice paved the way for the modern trend of literary annotation.
Unfashionable Genius
“There is a unity to all of Robinson’s work, and this is part of what makes her so great. Her writing expresses a consistent and compelling vision of the world—a vision that sees the real as revelatory, the everyday as wondrous, Spokane as leading to Galilee.” Anthony Domestico profiles Marilynne Robinson and her new novel Lila, which we’ve mentioned here and here and here, for Commonweal.
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Doug Rickard’s Google Photography
Photographer Doug Rickard employs an interesting technique for his “A New American Picture” series: Google Street View. Check out the shots he took while he “virtually [drove] the unseen and overlooked roads of America, to find bleak places that are forgotten, economically devastated, and abandoned.”
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