“Well, is ‘addiction’ what a literary writer should want in readers? And if a writer accepts such addiction, or even rejoices in it, as Murakami seems to, doesn’t it put pressure on him, as pusher, to offer more of the same?” Tim Parks writes for the NYRB about writers who keep producing more of the same to please hungry readers.
Novel Projects
“A Grand Experiment”
Year in Reading alum Daniel José Older responds to the writers speaking out against Trump.
Coming to a theater near Tokyo
First it was Pebble Beach, and now they want our movies. After years of bad Hollywood remakes of good Japanese movies, turnabout is fair play.
John Lewis’s March
Comics specialist Dominic Umile checks out March: Book One, the first installment in a nonfiction graphic novel trilogy and biography of civil rights activist and current Georgia Congressman John Lewis.
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The Investigation of Feeling
“I think it’s important that poets exist in societies because they exist in the realm of affect. Feeling is important to them. How people feel, what they feel, what breaks them, how trauma resonates through their lives… that’s a legitimate space in poetry. It’s a legitimate space for investigation.” Aaron Coleman interviews Citizen author Claudia Rankine about intimacy, her writing process, and her experience in an MFA program.
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Thick Skin
Year in Reading alum Catie Disabato sits down with 0s&1s to discuss “using criticism as fuel, ambition, comparisons to Ayn Rand, the power of pop stars, happiness norms & more.” You could also read our review of her latest work, The Ghost Network.
Moco Loco
On the new food-writing website Toque, Elina Shatkin takes chefs Jon Shook and Vinny Dotolo (owners of Animal, the wonderful L.A. restaurant exalting all things meaty) to try moco loco.