“Well, is ‘addiction’ what a literary writer should want in readers? And if a writer accepts such addiction, or even rejoices in it, as Murakami seems to, doesn’t it put pressure on him, as pusher, to offer more of the same?” Tim Parks writes for the NYRB about writers who keep producing more of the same to please hungry readers.
Novel Projects
Hey, Fleming Estate: I’m Available To Write One, Too
Any Human Heart author William Boyd has been tapped to write the newest James Bond novel, the Ian Fleming estate has announced. Just so we know what to expect: his favorite Bond installment was From Russia with Love.
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That Was How He Was
"The last line of Saul Bellow's 'A Single Dish' is nothing like poetry. I can’t tell you what any single one of those words means. Imagine you’re a lexicographer and you have to define the word that, or how. And on top of this, there’s none of Bellow’s typical play with rhythm and language—it’s almost a non-sentence. And yet, when I get to it in the story, I weep." Ethan Canin at The Atlantic on how Saul Bellow packs so much emotion into a single sentence. Here are a couple Bellow-related Millions links for your perusing pleasure.
“Characters are Ciphers”
Peter Mendelsund writes for the Paris Review about how we see, or think we see, fictional characters. "Characters are ciphers. ... We are ever reviewing and reconsidering our mental portraits of characters in novels: amending them, backtracking to check on them, updating them when new information arises."
The Millions Among the Finalists
A pair of pieces from The Millions are among the finalists in this year's 3 Quarks Daily Arts and Literature Prize: "Her Story Next to His: Beloved and The Odyssey" by Frank Kovarik and "Reading and Race: On Slavery in Fiction" by our staff writer Edan Lepucki.
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