The late Pulitzer-Prize winning historian Dr. Manning Marable “informed his family that one of his passing wishes was to make his work available to incarcerated individuals.” His collection of authored works has recently been donated by his family to Otisville Correctional Facility.
“Everyone was compared to García Márquez or Fuentes once upon a time. Now it’s Bolaño or Vila-Matas (best case scenario). I am not sure what the reason for this is. There are many possible explanations. One may be that Latin America is still conceived by many as a kind of remote, torrid zone, an isolated and disconnected region of the world. So the only possible references associated with younger writers are the better-known older ones, always writing within the same language." Over at The White Review, Stephen Sparks interviews Valeria Luiselli about Latin American criticism and borrowing from the past. Also check out Lily Meyer’s Millions review of Luiselli’s new novel, The Story of My Teeth.
Francine Prose has an idiosyncratic theory that the Hindu god Ganesh is a vital part of her writing process. In a VQR essay, she explains that her portrait of the deity (which she purchased forty years ago at a bazaar in Mumbai) gives her a kind of confidence that goes beyond superstition. As support for this belief, she points out that Ganesh is known in some quarters as “the writer’s god.”
“In a bewildering new trend, it is young rationalist bloggers in Bangladesh who have emerged as the primary target of Islamic extremists.” K. Anis Ahmed writes about the brutal murders of bloggers at the front of the secular movement who have demanded punishment for those committing genocide. Pair with an essay from Hasan Altaf about how celebrating literature can be a form a protest.
What if Hamlet were a punk who skateboarded over Ophelia? At The Toast, Mallory Ortberg imagines Shakespeare's Hamlet with a teenage dirtbag cast complete with hilarious illustrations by Matt Lubchansky. "im going to the cemetery to touch skulls." We hope this becomes a regular series.
A group of Austrian artists aims to “reconfigure and recontextualize” a memorial to Austrian poet Josef Weinheber, who engaged in Nazi activities and wrote numerous pro-Hitler propaganda pieces. Michael Kaminer caught up with Eduard Freudmann, the leader of the Vienna-based push for recontextualization, who hopes to spark a debate “about how to proceed with the … artistic reconfiguration of a Nazi monument.”
“‘I can hold my own in the bedroom and the boardroom,’ she said to no one, and to everyone. ‘You should never underestimate me.’ She took off her blonde ponytail and shook her hair loose; there was another blonde ponytail underneath it.” There’s no better time than now to revisit Mallory Ortberg’s classic, unbelievably funny piece “A Day in the Life of an Empowered Female Heroine” from The Toast.