The late Pulitzer-Prize winning historian Dr. Manning Marable “informed his family that one of his passing wishes was to make his work available to incarcerated individuals.” His collection of authored works has recently been donated by his family to Otisville Correctional Facility.
“It’s like a massive piece of denim, and with that denim you can make something really cool. You can make a jacket, you can make some cool jeans, or you can make a cushion or a cover.” When The New York Times decides it wants to define “punk,” you’d better get ready for some cringe-worthy responses. Here’s a Millions piece on Viv Albertine, author of Clothes, Clothes, Clothes, Music, Music, Music, Boys, Boys, Boys and no stranger to punk rock.
“It’s like a crackpot combination of Baz Luhrmann’s Moulin Rouge!, Ingmar Bergman’s The Magic Flute and Lars von Trier’s Dogville. Does this crazy idea work? Maybe 70 percent of the time, but when it does it’s both daring and brilliant.” At Salon, Andrew O’Hehir is surprised by Anna Karenina.
Recommended Reading: Nicola Kraus and Emma McLaughlin on writing for free (or not).
“Many of the basic rules around typographic contrast and readability for print or 2D screens change in VR. When type becomes even a little bit more volumetric, the way people perceive it and interact with it changes. The type needs to be rooted in something real, otherwise it gets a little uncanny for the user.” What should typography look like in virtual, augmented, and mixed reality interfaces? The Drum considers (via The Digital Reader). Wonder what a book fetishist might thing of all this…
Bookseller and blogger Emily Pullen discusses the e-reading experience in this morning’s Shelf Awareness: “I have noticed that when I read on the device, my attention span is somewhat short. I rarely read for more than an hour–usually about 20 minutes. It’s not because it is uncomfortable for my eyes or my hands. Instead I just don’t get as immersed.”