Over at the Slate Book Review, Laura Miller gives Bill O’Reilly’s Killing series a fair shake. From Jesus to Reagan, O’Reilly and his cowriter Martin Dugard have killed off five famous historical “Great Men.” Despite claims of some dubious assertions having been made throughout the series, the books themselves have enjoyed tremendous commercial success.
“I really do hate the idea that black joy itself is a joy derived in spite of. While it may indeed include that, limiting it to such assumes that joy among black people only exists as a defiant response to oppression from white people. I’d rather believe that black folk are capable of this deep supernatural sense without having to be enslaved or disenfranchised.” For the Boston Review, Jericho Brown on poetry and joy.
The Millions is delighted to welcome new staff writer Marie Myung-Ok Lee, whose first piece for the site publishes today. Marie is the author of Somebody's Daughter and a novel about medicine forthcoming from Simon and Schuster. You may have seen Marie's excellent writing in The Atlantic, The New York Times, and many other venues. She teaches fiction at Columbia.
"Why, after all, do writers write? What is the impulse, the insistence on story, on seeing and representing the world? It has little to do with technology although everything to do with narrative, which is a purpose that, on the surface, technology also seems to share. The difference is that the writer creates narrative with intention, whereas technology merely gathers, or processes, information, leaving interpretation, analysis, up to us." Let's just say David L. Ulin doesn't think Joyce would work for Google.
Over at The New York Times, Citizen author Claudia Rankine reviews Teju Cole’s new essay collection. As she puts it, “Cole attempts to untangle the knot of who or what belongs to us and to whom or what do we belong as artists, thinkers and, finally, human beings.” Pair with this Millions interview with Cole.