“For the love of all things literary, please quit banning words like ‘said’ in your classrooms,” he howled. He demanded. He cackled. He barked. He spat. He bellowed.
“You have a hard time imagining how the things you've experienced or discovered, which seem abjectly personal, could be of use to another writer. You're aware that you can follow every single rule in the book, and still write a crappy story.” The Preservationist author Justin Kramon grapples with the idea of teaching writing to college students.
Have you ever tweeted only to delete it a minute later after discovering a typo? Yes, even we aren't immune. At The New Yorker, our own Mark O'Connell examines the public humiliation that follows after you tweet something regrettable. Pair with: Our piece on literary Twitter's first tweets.
“If the taglines used to market lesbian, gay, bisexual, and transgender Americans to the country’s mainstream—‘Love Wins,’ ‘It Gets Better,’ and ‘You Can Play’—have led to unprecedented levels of inclusion and visibility, it is precisely by shoving sex aside and presenting gay people and straight people as essentially the same at heart. In the process, as the outsider status attached to being gay disappears in more and more contexts, some of gay culture’s radical roots risk being expunged from memory.” On Jim Downs’s Stand by Me: The Forgotten History of Gay Liberation.