“It’s part of Jane Austen’s genius that she can bring the maximum of drama and momentousness to the most minimal of occasions.” Here is David Denby from The New Yorker on reading (and listening to) Austen’s Emma, which is celebrating its two-hundredth year in print. We’ve brought you a bunch of bits on Austen in the past.
For Jane, Forever Ago
The Man Was Hard on Himself
Hot on the heels of The New Yorker, The Paris Review is excerpting Calvino’s letters. In Monday’s entry, POSTERITY IS STUPID, the author writes the following: “Although I am small, ugly and dirty, I am highly ambitious and at the slightest flattery I immediately start to strut like a turkey.”
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“It was a nasty autumn morning…”
A thoughtful piece of fiction to mark the November 10 anniversary of Atatürk‘s death.
Salinger’s Lost Writing
J.D. Salinger was apparently “still writing during the decades of his seclusion and amassing a considerable body of work,” but what, exactly, was he working on?
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“I have always wondered.”
John Jeremiah Sullivan’s “Diary” for the Financial Times features the Mars Curiosity, Quaker school songs, and all sorts of family bonding.
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Tuesday New Release Day: Cohen, Black, Cusk, Heller, Gillham, Ratner, Johnson, Meidav
New this week is Joshua Cohen’s Four New Messages, while John Banville (writing as Benjamin Black) is out with Vengeance. Also new on shelves: Aftermath, a memoir by Rachel Cusk; Peter Heller’s post-apocalyptic debut novel The Dog Stars; David Gillham’s novel of WWII Berlin, City of Women; and In the Shadow of the Banyan, Vaddey Ratner’s novel set in the Cambodia of the Khmer Rouge. Out in paperback are Adam Johnson’s The Orphan Master’s Son and Edie Meidav’s Lola, California.
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