It turns out even a museum exhibit of Shakespeare’s works can make for a dramatic experience. At The Daily Beast, Helen Anders demonstrates that there’s a little bit for everybody at the “Shakespeare in Print and Performance” exhibition at the University of Texas. We’ve brought you a bit on the Bard before.
Exit, Pursued by a Bear
Sometimes You Feel
Can’t wait for Haruki Murakami’s new novel? You’re in luck: Slate just published an exclusive excerpt from the book. Sample quote: “No matter how quiet and conformist a person’s life seems, there’s always a time in the past when they reached an impasse. A time when they went a little crazy. I guess people need that sort of stage in their lives.” (You could also read Ben Dooley’s review of 1Q84.)
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Stand By Your Man
At the Los Angeles Times Magazine, the answer to a bad boyfriend is to read a few good novels. Does The Talented Mr. Ripley remind you of your lover?
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Listen to a Genius
Recommended Listening: David Naimon's interview with Karen Russell on Between The Covers. You can also find a transcript of the interview in the latest issue of The Missouri Review. Russell just won a MacArthur Genius Grant.
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Self’s the Man
Christopher Hitchens has a marvelous essay on Philip Larkin (curmudgeon, onanist, genius) at The Atlantic. Via 3 Quarks Daily.
Writing Literary Twitter
"Reading Literary Twitter is to witness brief, terse glimpses into the writerly psyche, and how insecure and unsure and thin-skinned we tend to be. As writers, we want to be validated. We want to matter. The published stories and poems and essays, the books we sell, the magazines we edit: all this output, this paper expelled out to the world, the screens we invade with our narratives, it all matters to us. But does it matter to everyone else?" mensah demary writes about the good, the bad, and the slightly neurotic of being a writer on Twitter for Electric Literature.
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Wallace Stevens Week
Wallace Stevens Week(s) begin with a sprint today at Big Other, featuring an interview with poet and critic James Longenbach, an essay on Stevens' other work, in insurance, and a list of his “most maddening, funny and bizarre” titles.
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