It turns out even a museum exhibit of Shakespeare’s works can make for a dramatic experience. At The Daily Beast, Helen Anders demonstrates that there’s a little bit for everybody at the “Shakespeare in Print and Performance” exhibition at the University of Texas. We’ve brought you a bit on the Bard before.
At The Guardian, Jhumpa Lahiri recounts the path that led her to write her latest book in Italian, one of the most anticipated books of 2016. As she puts it, “A week after arriving [in Rome], I open my diary to describe our misadventures and I do something strange, unexpected. I write my diary in Italian. I do it almost automatically, spontaneously. I do it because when I take the pen in my hand I no longer hear English in my brain. During this period when everything confuses me, everything unsettles me, I change the language I write in.”
“You can only advocate for yourself when you know what it is you want from the experience. You’d be surprised by how many people go into this process and are unclear about what they hope to get out of it.” Over at the Amazon Author Insights blog, Katrin Schumann offers a checklist of seven tips to survive submitting your writing to editors, including this note about articulating your goals beforehand. (Ed. note: Amazon helps us pay the bills around here!)
The good people over at The Rumpus have added another fantastic essay to their Albums of Our Lives series. This week, it’s Jonathan Kime who gives The Cure’s crushing, overwhelmingly melancholic 1989 album Disintegration the track-by-track treatment. Earlier iterations included Sufjan Stevens and Jason Isbell.
“Trump is the first candidate in memory who ran not for president but for autocrat – and won. I have lived in autocracies most of my life, and have spent much of my career writing about Vladimir Putin’s Russia. I have learned a few rules for surviving in an autocracy and salvaging your sanity and self-respect. It might be worth considering them now.” Masha Gessen for The New York Review of Books.
There are plenty of good reasons to read classic literature, but Mary Beard reminds us that there’s a different kind of classic that’s worth revisiting and questioning. “You do the ancient world much greater service if you keep arguing with them.”