Recommended Reading: On the dark, subversive adult coloring books of the 60s.
It's no secret that I'm a big fan of the "Ted Wilson Reviews the World" series over at Electric Literature. This week, he takes on everyone's (least?) favorite confection -- sprinkles. Unsurprisingly, sprinkles score a bit higher than Anxiety did a couple weeks ago: "Sprinkles can take an ordinary cupcake and turn it into a cupcake that looks like a rainbow shattered and fell all over it, and then the leprechaun at the end of that rainbow hid inside the cupcake and the only way to get him is to eat it."
“I cannot help feeling, on being invited to contextualize my own fiction, that the least qualified person possible has been asked. It is more still: hesitance, dread, that as a blind man in a failing aircraft I have been offered the yoke. I imagine it is the same for other writers, for the very fact that you write a story, and not a critical essay, suggests that near everything you hope to say lies outside the bounds of explicit statement.” Despite all that, here’s an essay by Greg Jackson at Granta in which he attempts to contextualize his own fiction.
Legendary jazz musician and composer Cal Massey receded from active performance in the 1950s in order to concentrate on composition. His works went on to be recorded by John Coltrane, Lee Morgan, Freddie Hubbard and many other greats. To honor his indelible mark on jazz music and African-American culture, Fred Ho and Ben Barson will present a series of concerts in Harlem's Red Rooster restaurant. Barson also wrote a lengthy introduction to Massey's life and legacy.