Gawker.com will end operations next week – and this time it’s for good. Over at the New Yorker, Jia Solentino writes about what made Gawker singular in the online world. “A lively, difficult brand of unevenness was inherent in Gawker’s work, and this still seems to confound people: Why, if it took its work seriously, would it run 'some of both the best and worst of 21st century journalism,'” as Salon put it, and all under the same name?”
As has been much noted elsewhere, the Wall Street Journal landed reclusive Calvin and Hobbes creator Bill Watterson to review a recent bio of Peanuts creator Charles Schulz. New York explains how the review was arranged. Meanwhile, the New Yorker has John Updike reviewing the book.BLDGBLOG articulates why I love LA so much (and why it is quite possibly the greatest city in the country). For some of my own thoughts on LA, harken back into the deepest archives.Since almost the minute I finished An Army at Dawn, the first installment of Rick Atkinson's three-part look at the liberation of Europe during World War II, I have been pining for the second book. And now I have it. The Day of Battle covers the war in Sicily and Italy and I will be reading it presently. (It was An Army at Dawn that inspired our lists of World War II fiction and nonfiction.)My alma mater is showing Google Books some love.
Edmund Wilson famously said of the works of H.P. Lovecraft that “the only real horror in most of these fictions is the horror of bad taste and bad art.” In time, however, Lovecraft developed a substantial following, which raises the question of what attracted readers to his work. The answer? “The weird realism that runs through his writings undermines any belief system – religious or humanist – in which the human mind is the centre of the universe.” Related: Ben Dooley on the scariness of House of Leaves.
"This particular moonshot fell about a hundred-million books short of the moon." Over at The Atlantic James Somers has the story of what went wrong with Google's audacious plan to digitize all the world's books. And like an interesting time capsule, you might want to read Robin Sloan in our own pages from some years back about a very, very cool book scanner.
Peter Osnos on how far the publishing industry has come since the galas and publishing events of the 1990s: "That the action in publishing now is in the creation of books rather than selling the rights to them is a meaningful indicator of the excitement in the industry about the digital potential."