Tom Jenks, co-founder of Narrative Magazine (which charges writers $23 to submit), is releasing a 400-page, six-chapter craft book on the art of imaginative fiction titled A Poetics of Fiction. The information inside the book is billed as “more than useful—it’s essential and not readily available anywhere else”—maybe that’s why it retails for $225.
Claudia Rankine’s new book of poetry, Citizen, is getting a lot of attention in part due to its meditations on race in modern America. In the latest issue of BOMB, Lauren Berlant interviews the poet, asking her about micro-aggressions, Kara Walker and the implicit tone of the word “citizen.”
William Stuntz’s book The Collapse of American Criminal Justice investigates “how, over the past 50 years, our criminal justice system had been transformed into an unfair, amoral bureaucracy–one that had given up on the very idea of justice.” Its genesis is worth reading about. So, too, is this related article in the most recent edition of n+1, “Raise the Crime Rate.”
My inner dramatist will have a debut outing at Sweet: Actors Reading Writers, Thurs. 12/2 at 7:30 pm, Three of Cups (First Ave at 5th Street, NYC). Actor Tonya Edmonds will perform an excerpt from my novel-in-progress, Sebastian & Frederick. Other featured writers: Ed Park, Amanda Filipacchi, Jonathan Dixon, Maya Pindyck.
“To talk to Le Guin is to encounter alternatives. At her house, the writer is present, but so is Le Guin the mother of three, the faculty wife: the woman writing fantasy in tandem with her daily life.” The New Yorker dedicates a long profile to Ursula K. Le Guin. Pair with our interview with the prolific author.
“There are writers we instinctively, permanently dislike: not only will we never read them, we will quietly relish the not-reading, finding in it a pleasure that can occasionally rival reading itself.” Dan Piepenbring explores the advantages of not reading for the The Paris Review. Pair with our own Sonya Chung’s essay on the art of not finishing books.