Tom Jenks, co-founder of Narrative Magazine (which charges writers $23 to submit), is releasing a 400-page, six-chapter craft book on the art of imaginative fiction titled A Poetics of Fiction. The information inside the book is billed as “more than useful—it’s essential and not readily available anywhere else”—maybe that’s why it retails for $225.
“Well, continuing with my policy of baring my soul, Dwight Garner said something like, the book was like one of those satellite photos of North Korea when I talked about the second marriage. I obviously had very little access to Updike from ‘77 on, really. And I cheated a bit by using Ian McEwan as my spy in the Updike household. First of all, Updike definitely did pull up the drawbridge and retire into his castle and I thought, in a sense, that this should be respected. He had decided on his persona, at that point—the highly professional man of letters. And I thought, why not let him go out with that persona intact?” At The Awl, Elon Green talks with Adam Begley about his new biography of John Updike.
Calling a book “the spiritual prequel to The Road” is a great way to signal its command of dystopian tropes. It’s what Gabe Durham wrote about Maxwell Neely-Cohen’s recent YA novel Echo of the Boom. At The Rumpus, Durham interviews Neely-Cohen, who describes how he tried to give a metafictional bent to the novel. Related: we asked high school students to pick their favorite YA books of 2013.
“War happens when words no longer work. Yet war is declared at the very point when words are at their most powerful. It’s an odd kind of paradox. In a time of war, the familiar words of your own language can become even more significant, as language is linked to the idea of home.” At JSTOR Daily, linguist Chi Luu looks at trauma and language loss.
This week, David Mitchell (author of Cloud Atlas and the forthcoming The Bone Clocks) is releasing a new short story over 280 tweets (which you can read here). Form follows content, he explains, since his narrator is a teenager high on his mother’s Valium. Mitchell joins good company: Teju Cole, Junot Diaz, and other notables have tried their hand with this strange new form. Pair with: a stroll down memory lane with some beloved authors’ very first tweets and their best.