“A vast human action is going on. Death watches. So if you have some happiness, conceal it. And when your heart is full, keep your mouth shut also.” Saul Bellow saw a bit of resurgence this year with the publication of his collected non-fiction, There Is Simply Too Much to Say. Why do we need him now more than ever? According to Michael Weiss at The Daily Beast, it’s because he has “a bit of the opposition in him.” This essay is exhaustive and thoroughly researched and well worth your time.
Bit of Opposition
The State of Reading (in the Bath?)
Hannah Withers and Lauren Ross have written about today’s state of publishing for McSweeney’s. Their conclusion? Young people read more than you. According to Laura Goode, though, moms are reading more YA novels than their kids. Either way, everyone can start reading in the bathtub thanks to waterproof paperbacks.
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Appearing Elsewhere
My review of Tom Bissell‘s Magic Hours appears in this Sunday’s NYTBR.
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Known Knowns
Literary fame is a knotty thing. It’s hard to predict exactly who will be known for centuries, and why. William Wordsworth, for example, owes at least part of his fame to the Lake District, which started to use him in their tourist campaigns not long after his death. In The New Yorker, Joshua Rothman takes a look at H.J. Jackson’s Those Who Write for Immortality. Related: Gina Fattore’s recent essay on fame and money.
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Really Old Lake, Even Older Forest
Which discovery is cooler? Russian scientists unearthing a 20-million-year-old lake beneath Antarctica, or Chinese scientists unearthing a 300-million-year-old forest beneath a coal mine?
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Wilkinson on Larsen
At the Washington Times, Emily Colette Wilkinson reviews Reif Larsen’s The Selected Works of T.S. Spivet.
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The Fiction of Borders
Molly Crabapple writes for VICE about translating Syrian poet Nizar Qabbani and the fiction of citizenship. As she explains it, “Words don’t need visas, but humans do. […] Citizenship is our most loaded form of fiction.”