Leave it to Roxane Gay to come up with a novel format for an essay on the feminist novel. In the new issue of Dissent, she presents eleven theses on the topic, including references to Toni Morrison’s Beloved, Erica Jong’s Fear of Flying, and Jeanette Winterson’s Oranges Are Not the Only Fruit. Sample quote: “Not every novel that concerns itself with the lives of women is a feminist novel. Fifty Shades of Grey is not a feminist novel.” You could also read our own Edan Lepucki on the problem with feminist anthems.
Out today are Me and the Devil by Nick Tosches; Raised from the Ground by Jose Saramago; Climates, a newly translated novel from 1928 by French writer Andre Maurois; Spilt Milk by Brazilian writer Chico Buarque; and Alan Light's The Holy or the Broken about a Leonard Cohen song that Jeff Buckley made famous.
Christopher R. Weingarten's long Spin essay about Lana Del Rey, Cults, and "a multitude of mostly female-led indie heartachers" is one of the best things you'll read this week. It's also, as a matter of fact, one of the best multimedia integrations of Spotify I've seen in a while. More of this, please.
“All poems of public grief are private poems first,” writes Mark Doty in his evaluation of Wisława Szymborska’s poem, “Photograph from September 11th.” Indeed, what Doty learned “over the course of those dozen years, was that the words one hammers out in private, in order to attempt some kind of sense, may end up being used by people in ways you could have never anticipated.”