Lit Hub sits down with thirty poets who made their debut this year. Find out how their poems would translate to film and what inspired them to write. Pair with Kate Angus’s essay on why Americans don’t buy poetry books.
"The voices you hear when you sit down to write lead you to believe that you’re a character in the novel you’re writing even though metafiction hasn’t been invented yet." If this applies to you, you might be in a Muriel Spark novel according to Maud Newton's article at The Toast. We aren't surprised that Newton wrote this because Spark made her 2010 Year in Reading post.
There are many possible answers to the question “where do you write?”, but one of the strangest, and most unexpected, has to be “I don’t know.” At The Rumpus, Brendan Constantine admits that he doesn’t write in any one place, and that his memory for where he’s written before is “completely unreliable.” We surveyed our own staff a couple years ago to see how they answered the question.
"Every culture has its monsters," and Jason Diamond writes about the Headless Horseman and one of the oldest American horror stories for Electric Literature.
"I began to wonder: what would a manifesto for bad poetry look like? Would it differ either superficially or deeply from the art’s graver manifestos? It really wouldn’t have to. It would merely have to persuade, and persuasion sounds very much the same whether it is honest or dishonest. If it was any good it would hold great attractiveness as a snappy piece of writing, but, if followed, it would be certain to produce bad poetry. Some harmless sophistry. In this it would be more effective than any positive manifesto, because, if guided well, no-one who sets out to write a bad poem is going to accidentally write an excellent one." Erik Kennedy lays out a manifesto for bad poetry, titled "Precepts for Perfection in Poetry," for The Rumpus. For a counterpoint, pair with our own Nick Ripatrazone's look at very good and very sad poetry, "The Saddest Poem Ever Written."
Out this week: The Book of Joan by Lidia Yuknavitch; Imagine Wanting Only This by Kristen Radtke; A Line Made by Walking by Sara Baume; The Woman Who Had Two Navels and Tales of the Tropical Gothic by Nick Joaquin; and My Cat Yugoslavia by Pajtim Statovci. For more on these and other new titles, go read our most recent book preview.