Full Stop will be celebrating five years in January as an online literary journal. To commemorate the anniversary, they’re publishing their first-ever book, collecting the very best writing from their website and featuring blurbs by anyone who makes a donation to the magazine. Pair with this Millions piece on the art of blurb writing.
A Blurb of One’s Own
Animated Russian Classics
Polish filmmaker Piotr Dumala spent three years working on his half-hour-long expressionistic adaptation of Fyodor Dostoevsky’s Crime and Punishment, and the result is a “destructive animation” that’s at once unnerving and beautiful. However in case you’re more pressed for time, you can also get your animated Russian literature fix by checking out Natalia Berezovaya and Svetlana Petrova’s two-minute-long animation for Mikhail Bulgakov’s The Master and Margarita.
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That Old Imperial Impulse
“The notion that American literature might have an imperial bent—that it might be anything other than a string of lightly co-influential works of ‘imaginative power,’ and might itself reflect our national desire to dominate—is lost on its critics, both right and left.” Jonathan Sturgeon in The Baffler on American exceptionalism and “the imperial self” in fiction, with particular attention paid to the work of two other Jonathans, Franzen and Safran Foer.
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Comedians Talk Writing Books
It may feel like you’ve been saying more and more books lately written by comedians. And your initial hunch would be correct, publishers are increasingly buying books written by comedians. Nylon explores why this is the case.
Know Your Book Covers
Think you know your Arthur Conan Doyle from your Agatha Christie? This week, The Guardian quizzes you on the book covers of classic crime novels. In case you missed it, previous weeks featured science fiction and literary classics.
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An Engine, An Engine
“It is a superstitious business—childish, really—the marking, or even the noticing, of anniversaries like these. Such fastening pretends that one day can be like another, pretends that every day is not, ultimately, only its own day, the only version of itself that will ever come. But ‘Daddy’ is itself a poem built on a bedrock of anniversaries.” At The Paris Review Daily, Belinda McKeon marks the birthday of an oft-revered poem.
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