Full Stop will be celebrating five years in January as an online literary journal. To commemorate the anniversary, they’re publishing their first-ever book, collecting the very best writing from their website and featuring blurbs by anyone who makes a donation to the magazine. Pair with this Millions piece on the art of blurb writing.
A Blurb of One’s Own
Chicken Soup for the Stall
As literary genres go, bathroom graffiti ranks somewhere between obscenities carved into desks and poorly spelled comments in terms of respectability. Yet it’s still a form that could reveal interesting things, which is why a group of researchers took a series of fact-finding trips to public stalls across America. Their takeaway? “The mere fact of being in a public bathroom could be skewing how people choose to present themselves when they uncap that Sharpie.” Related: Buzz Poole on The History of American Graffiti.
The Power of Social Media (And Sexts)
Poet Elisa Gabbert recaps the warm-your-heart generosity of poet (and “Poet Laureate of Twitter”) Patricia Lockwood’s Twitter followers.
I’m the Best One Here
If, while sitting in a writing class, you’ve ever looked around at your classmates and thought, “Dear Lord, these people are navel-gazers,” you might want to know that British researchers have found evidence that you were right.
●
●
Poetry of Displacement
Recommended Reading: Mai Der Vang's striking poem about displacement “Light From a Burning Citadel” at The Missouri Review. "Once this highland was our birthplace. Once we were children of kings."
●
●
Milord, Milady
"Is this the right time to say 'Zounds, milady'?" A short history of Renaissance Faires.
●
●
The Not-So-Invisible Man
"The novel is told from the perspective of an unnamed African-American narrator who considers himself to be socially invisible due to the color of his skin," writes Variety. Following in the footsteps of its adaptation of Margaret Atwood's The Handmaid's Tale, Hulu is in the beginning stages of adapting Ralph Ellison's Invisible Man. Read our own editor Lydia Kiesling on Ellison's Invisible Man.