“I am sitting at the open window (at four a.m.) and breathing the lovely air of a spring morning. Life is still good, and it is worth living on a May morning – I assert that life is beautiful in spite of everything! … In a word, there are many thorns, but the roses are there too.” These excerpts from Pyotr Ilyich Tchaikovsky’s letters are just gorgeous.
“Over the years, Gross has done some 13,000 interviews, and the sheer range of people she has spoken to, coupled with her intelligence and empathy, has given her the status of national interviewer. Think of it as a symbolic role, like the poet laureate — someone whose job it is to ask the questions, with a degree of art and honor.” Terry Gross sits down with The New York Times Magazine in honor of her 40th anniversary hosting Fresh Air.
“Over the years, I’ve come to realize that sometimes a ghost isn’t always a ghost. Sometimes, telling a ghost story is a way to talk about something else present in the air, taking up space beside you. It can also be a manifestation of intuition, or something you’ve known in your bones but haven’t yet been able to accept.” Jenna Wortham on the ghost stories of her youth.
The worst thing about owning your own bookstore? According to Garrison Keillor, it’s that “you do not get a 10 percent discount when you buy books. I don’t know why. It was explained to me once, and I didn’t understand. I mean, I’m the owner, right? But no, that’s not how it’s done.”
What makes a sentence sad? At The Missouri Review blog, Aaron Gilbreath explores just why certain sentences are depressing — from A.A. Milne’s The House at Pooh Corner to James Joyce’s “Eveline.” “Their emotional impact doesn’t stem solely from the combination of words. The impact often results from the circumstances of readers’ lives.” Pair with: Sam Martone’s metafictional short story about his grandmothers’ deaths, “A Second Attempt,” at Pithead Chapel.