Alexandra Alter interviews National Book Award winner Ta-Nehisi Coates about the success of Between the World and Me. As he puts it, “The best part of writing is really to educate yourself. I don’t want to be anybody’s expert. I came in to learn.” Pair with our own Sonya Chung’s Millions piece on Coates’s epistolary essay.
Writing Educates the Self
Writing on Mute
Even though James McBride (new National Book Award winner for The Good Lord Bird) is an accomplished jazz musician, he doesn’t listen to any music while writing. “Because I’m a musician, listening to music is…it’s a bit like work for me,” he told The Daily Beast for the “How I Write” series.
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Summer Oysters
You’re only supposed to consume oysters in months with the letter “r” in their English (and French) names. This is because oysters in the Northern hemisphere are more likely to spoil during the warmer months of May, June, July, and August. So if you can’t eat ‘em, you might as well hear about ‘em instead, right? Presenting this video of Seamus Heaney reading his poem, “Oysters” (Text here).
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The Poor Mouth
You’ve likely heard that artists these days are in trouble. The probability that your average creative person will make a living from their art is getting smaller by the day. But amidst all this hand-wringing, we forget one simple fact — it’s always been getting worse, and there’s always been something killing culture. At Slate, Evan Kindley writes about Scott Timberg’s new book Culture Crash, asking whether the Internet is really the dread force it’s often made out to be.
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“But I can tell you about my kitchen.”
At The Nervous Breakdown, Antonya Nelson interviews herself. She reveals why she writes stories, and describes her new novel, Bound, due out this fall.
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Close Reading with a Community
Follow Saturday: Poetry Brain, which is the “poetry and literature side of Rap Genius.” You may remember my last shout out for their work – it involved a certain finger being extended to the “stripped down simplicity of the Imagists.”
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The Lonesome Death of Lit-Fic
Guernica picks a scuffle with the VQR‘s Ted Genoways over what’s killing literary fiction. (Writers? Editors? M.F.A.s? How about late capitalism? Or the term “literary fiction?” Or the surfeit of articles about its demise?)