Check it out: Creative Nonfiction and Writing Away the Stigma are teaming up to put on a six-part writing workshop and fellowship for individuals who have been affected by mental illness. Twelve writers will have the opportunity to study, free of charge, with the founder and editor of Creative Nonfiction magazine, Lee Gutkind. Submissions are accepted throughout the month of November.
In an effort to get consumers to think more consciously about the “human cost” of commercial sugar production, artist Kara Walker has installed “Subtlety,” a large-scale public sculpture in Brooklyn’s iconic Domino Sugar Factory. Meanwhile, Edwidge Danticat explores contemporary labor conditions in the Dominican Republic’s cane fields.
First our own Mark O’Connell pondered the relationship between listicles and our shrinking attention spans for The New Yorker, and now Arika Okrent suggests that a listicle is its own literary form – albeit a “gloriously unspecified” form, at that. Together, these pieces constitute 2 Meditations On Listicles That Will Totally Change Your Life.
Summertime, another work of fictionalized autobiography (following Boyhood and Youth) from Nobel Laureate J.M. Coetzee arrives this week. Also, new this week is Psycho Too, an illustrated travelogue collaboration between Will Self and Ralph Steadman. Of the book, PW says “Self is far from a reliable tour guide, but his eye for seldom-trod byways and offbeat insights make him a diverting travel companion.”
Stephen Elliot explains why publishers are shooting themselves in the foot when they gouge authors trying to buy copies of their own books.
“Hill had maintained a daily writing routine since age 13, completing four or five books as a teen and four more as an adult, and was now, at the cusp of 35, finally putting out a novel—a ghost story.” GQ profiles Joe Hill about his writing, being the son of Stephen King, and finding success in his own right. From our archives: our own editor Lydia Kiesling‘s essay on King, nostalgia, and America.