Matthew Jakubowski writes an experimental review of the first English translation of Mercè Rodoreda’s final novel, War, So Much War. Pair with this excerpt from the novel, which appeared in the new issue of Harper’s.
Tim Parks investigates the idea of “writing to death” in the cases of Thomas Hardy, D.H. Lawrence, Anton Chekhov, Charles Dickens and William Faulkner. “So many of the writers I have looked at seem permanently torn between irreconcilable positions,” Parks writes. “Eventually, the dilemma driving the work either leads to death, or is neutralized in a way that prolongs life but dulls the writing” (Bonus: Our own Mark O’Connell just reviewed Parks’s latest book, Italian Ways.)
Our friends at The Common have organized a Postcard Auction, and you have until May 20 to bid online. Users can bid on the chance to have well-known authors – such as Adam Johnson, Téa Obreht, Chris Ware, and Kiese Laymon – send handwritten postcards to the address of their choosing. Come on, now. This is your chance to get a handwritten note from an Orange Prize-winner.
Perhaps inspired by the news, first reported a few years ago, that mad scientists in the Indian army plan to weaponize superhot chilis, Lauren Collins ventures bravely into the world of extreme heat. As a warning to readers who fancy themselves tough, she quotes a doctor who makes clear that these peppers aren’t just hot -- they’re lethal.
Lucy Madison asks how the 25 National Magazine Award nominations went to 25 male writers and discovers it may be because fewer women write long-form journalism, “particularly at those publications that tend to get nominated for National Magazine Awards.”