What can we learn about Leo Tolstoy by reading the German sociologist Max Weber? Let Jeremy Klemin from 3:AM Magazine explain. While we’re on Tolstoy, here’s a complementary piece that asks the age old question–who’s better: Tolstoy or Dostoyevsky?
John Steinbeck's son criticizes the state of Texas for invoking Of Mice and Men's Lennie Small, in ruling that certain mentally retarded individuals can be sentenced to the death penalty. The great-great-great granddaughter of Herman Melville wonders where her great-great-great-grandfather's editor was when he wrote Moby Dick.
The huge, McSweeney's-published, John Sayles novel A Moment in the Sun has been getting great reviews. It's now out. Also new this week is China Mieville's Embassytown, reviewed here today; Paul Theroux's exploration of the genre of travel writing, The Tao of Travel; prizewinning Nigerian author Helon Habila's new novel Oil on Water; and A Day in the Life of a Smiling Woman, the complete stories of Margaret Drabble, recently written up by Joyce Carol Oates in the New Yorker. New in paperback are a pair of Millions Hall of Famers, Emma Donoghue's Room and Justin Cronin's The Passage.
At The Collagist, Kyle Beachy imagines the emperor Augustus saying to the poet Horace, "You and your kind are fucked!" "The Extent of Our Decline" is one of number of essays appearing in the collection I co-edited, The Late American Novel: Writers on the Future of Books, coming in March from Soft Skull.
“Aspiring journalists tend to worship at the altar of Joan Didion,” writes Heather Havrilesky (who some of you may know as Polly) in the latest issue of Bookforum. The fact that so many writers look up to Didion as an example necessitates that the lit world find at least one offbeat alternative. In Havrilesky's eyes, that alternative is obvious: the late Nora Ephron was the anti-Didion, she argues.