There are few better ways to spice up a Monday morning than with a Shakespearean choose-your-own adventure story. If it please thee, proceed to McSweeney’s. Then come back to The Millions and check out these pieces on the Bard.
When I was a kid, I read the whole Little House series by Laura Ingalls Wilder and never thought about it being “for girls.” At Slate, Emily Bazelon writes about why it’s wrong that “the conventional educational wisdom holds that boys don’t like to read about girls.”The New York Public Library’s 25 Books to Remember from 2005 (via Conversational Reading)It’s Perfectly Normal, a sex education book by Robie H. Harris tops the American Library Association’s list of 10 Most Challenged Books of 2005. Also on the list: The Catcher in the Rye and the Captain Underpants series.The Ten Worst Autobiographies as listed by The Independent. Not sure where else you’d find Hillary Clinton, James Frey and Hitler on the same list. (via Books Inq.)A New Orleans resident auctions off a bunch of “first-edition books, handwritten manuscripts and letters by Beat Generation writers” to raise money for Jon and Gypsy Lou Webb who published some of Charles Bukowski’s earlest works and were left homeless by Hurricane Katrina.
I’ve written before about Matthew Jockers‘s claim, as reported and presented by the Paris Review, that there are only about 6 plots in fiction. Now Dan Piepenbring returns to the Review to respond to critics who and attempt to answer the questions “is it really possible to assign every word a reliable emotional valence? And even if the answer is yes, can we really claim that all the plots in the history of literature take so few basic forms?”
Google ran into a wall of litigation when it tried to create a public digital archive of every book in the world. Now a team of academics is taking on the challenge. Nicholas Carr examines whether Robert Darton and Harvard’s Berkman Center for Internet and Society can succeed where Silicon Valley failed. Also be sure to check out our review of Nicholas Carr’s The Shallows: What the Internet is Doing to Our Brains.
How does a writer keep their work fresh? What’s the goal of a successful artist? What is it like to adapt someone else’s writing for the screen? The Atlantic interviews Nick Hornby about his latest book, Funny Girl, and these are some of the questions that come up. Pair with this Millions review of Hornby’s A Long Way Down.