There are few better ways to spice up a Monday morning than with a Shakespearean choose-your-own adventure story. If it please thee, proceed to McSweeney’s. Then come back to The Millions and check out these pieces on the Bard.
Coffee House Press recently announced it will be partnering with Emily Books, whose co-founder Emily Gould is a Year in Reading alum, to form their first imprint, which will publish two original titles a year. Their news pairs well with Electric Literature‘s “2015 Indie Press Preview.”
“I began to wonder: what would a manifesto for bad poetry look like? Would it differ either superficially or deeply from the art’s graver manifestos? It really wouldn’t have to. It would merely have to persuade, and persuasion sounds very much the same whether it is honest or dishonest. If it was any good it would hold great attractiveness as a snappy piece of writing, but, if followed, it would be certain to produce bad poetry. Some harmless sophistry. In this it would be more effective than any positive manifesto, because, if guided well, no-one who sets out to write a bad poem is going to accidentally write an excellent one.” Erik Kennedy lays out a manifesto for bad poetry, titled “Precepts for Perfection in Poetry,” for The Rumpus. For a counterpoint, pair with our own Nick Ripatrazone‘s look at very good and very sad poetry, “The Saddest Poem Ever Written.”
“Thinking about his films while watching an American film leads to a sobering realization: all the things that Abbas Kiarostami could not show in his films became the only things Hollywood filmmakers chose to show in theirs. What he showed in his films were the things abandoned by Hollywood: conversation, friendship, understanding, compassion, and empathy.” A. S. Hamrah discusses Abbas Kiarostami’s legacy at n+1.
Chuck Palahniuk dropped big news at San Diego’s Comic Con last week: he’s currently working on a follow-up to Fight Club… in the form of a graphic novel. “It will likely be a series of books that update the story ten years after the seeming end of Tyler Durden,” he told attendees. “It will, of course, be dark and messy.”