Lindsey Drager considers the novella and argues that it is neither a feminine form nor a smaller type of novel. As she puts it, “while other fiction aims outward, the novella curls in, coiling around itself until there’s no distinction between the story’s body and the story’s shell.” Pair with our own Nick Ripatrazone’s essay on the art of the novella.
This Is Not a Novel
Ancient Poetics
Recommended Reading: Chloe Garcia Roberts and Guangchen Chen on translating ninth century poet Li Shangyin.
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Two books for $22 at Open Letter
To celebrate their thirteen-month anniversary, Open Letter Books is having a sale. Buy any two books from their catalog for $22, and you are also entered to win a free subscription for a full year of their titles. Don’t know where to start? Their books include Vilnius Poker, touted as the preeminent Lithuanian novel of the past twenty years, as well as Dubravka Ugresic’s formidable collection of essays, Nobody’s Home.
Another View
“But we are lured into believing that the first person is the manifestation of an authentic self. Or: we fall for the first person because we feel so little coherence in our own internal lives, and immersing ourselves in a sustained first person narrative gives us the false reassurance of an illusion.”
In the Mind of the Author
At The Rumpus, Suzanne Koven talks with Eve Ensler, better known as the woman who wrote The Vagina Monologues. Among other things, they talk about her new book, In the Body of the World.
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