Recommended reading: a new, previously undiscovered story and accompanying poem by Charlotte Brontë. The story is rife with flogging and embezzlement–all the good stuff! Here’s a bonus piece on how Charlotte is at least partly responsible for the success of the Bronte sisters as a whole.
“What do these two books have in common?…Open each cover and you will only find similarities: They are the same book.” For The Globe and Mail, our own Claire Cameron writes about one book being marketed with two different covers and titles to appeal to different audiences. Pair with: an essay about book covers featuring headless, backless women, and another on the beauty of typewritten book covers.
Out this week: Lucky Boy by Shanthi Sekaran; A Mother’s Tale by Phillip Lopate; Huck Out West by Robert Coover; Fever Dream by Samanta Schweblin; The Midnight Cool by Lydia Peelle; The Antiques by Kris D’Agostino; Lotus by Lijia Zhang; and Collected Stories by E.L. Doctorow. For more on these and other new titles, go read our latest book preview.
Over at Threepenny Review, Jess Row expounds on “blandness” in the work of Haruki Murakami, and particularly in his 2.8 lb. tome 1Q84—a book tabbed by Charles Baxter in last year’s Year in Reading as the best he’d read all year. Row contemplates the way Murakami’s characters and sentences “almost never lose this placid, observant neutrality,” or “continuous monotone.”
This week, Allison K. Gibson looked into the “awkward but necessary role of technology in fiction,” and what it means to include it or overlook it in a given work of fiction. Similarly, what’s with the absence of birth scenes in literature?