Over at Full Stop, Sean Minogue argues that social media can have a positive influence on a writer’s creative development. He mentions Twitter extraordinaire Teju Cole, who thinks his involvement in online discussions “comes from the non-American part of me which is saying that novelists in every other country, with the exception of the American or the Anglo-American sphere, actually consider it part of their work to engage.” Pair with our piece on the best of literary Twitter.
This track-by-track take on Jason Isbell’s newest album Something More Than Free is as comprehensive as it is intelligent. Isbell, who rose to fame as a member of Athens, GA mainstays The Drive By Truckers, has seen most of the press narrative around him focus on his trips to rehab and subsequent recovery–this record, however, aims for something more. Here’s our Torch Ballads & Jukebox Music column to satisfy any lingering musical urges.
With the help of Our Final Hour author Martin Rees, Cambridge will soon open a Centre for the Study of Existential Risk. The Centre will investigate the threats posed by “artificial intelligence, climate change, nuclear war and rogue biotechnology.” To my ears, this sounds an awful lot like Oxford’s Future of Humanity Institute, which was memorably depicted in John Jeremiah Sullivan’s “Violence of the Lambs.”
Recommended Reading: Return to Oakpine author Ron Carlson’s short story, “How Things Have Actually Changed Since We Did Secede from the United States.”
“It will be as long as a book, about 65,000 words. I’m writing my story, weaving together what life is like for LGBT people in Oklahoma and my story of growing up there as well.” Starting this week, Oral Roberts’ grandson, Randy Roberts Potts, is publishing his memoir on Instagram. The Bible Went Down with Birdie Jean takes the form of 300 individual posts, and tells the story of Potts’ rejection from his family alongside interviews with LGBT students at Oral Roberts University. Earlier this year we also considered what might make the Next Great Gay Novel.