Over at Full Stop, Sean Minogue argues that social media can have a positive influence on a writer’s creative development. He mentions Twitter extraordinaire Teju Cole, who thinks his involvement in online discussions “comes from the non-American part of me which is saying that novelists in every other country, with the exception of the American or the Anglo-American sphere, actually consider it part of their work to engage.” Pair with our piece on the best of literary Twitter.
Among this week’s new books we have The Twelve by Justin Cronin (our review), The Fifty Year Sword by Mark Z. Danielewski (our interview), The Miracle Cures of Dr. Aira by César Aira (our review), and Zoo Time by past Booker Prize-winner Howard Jacobson. In non-fiction, Mark Bowden has penned an account of the killing of bin Laden.
It’s high time we acknowledge the mastery of the short story by some really fantastic American women. At LitHub, Bridget Read makes a compelling case for such writers as Lucia Berlin and Jamaica Kincaid as veritable dons of the genre. This piece pairs nicely with a recent Millions essay by Adam Boffa on terseness, Twitter, and Lydia Davis.
Jonathan Lethem thinks his work is taken too seriously. “Well, I was just watching Richard Pryor, and he says, ‘When you’re dating a white woman, and people don’t like it, you can’t really pretend. You can’t go, “Oh, she’s not with me.”‘ ‘You write the big, ambitious books, right?’ Well, I guess they are,” he said in an interview with Salon. He also discusses being equated with Jonathan Franzen and his new novel, Dissident Gardens.