Read Karl Ove Knausgaard’s acceptance speech for the Welt Literaturpreis, an annual prize awarded by the German newspaper Die Welt, at The New Yorker. He writes, “The difference between engaging with a real neighbor and one in a novel is that the former occurs in the social sphere, within the boundaries of its rules and practical constraints, whereas the latter occurs outside of it, in the reader’s own most private, intimate sphere, where the rules that govern our social interaction do not apply and its practical constraints do not exist.” You could also check out Knausgaard’s book excerpt at The Millions.
The recent release of the transcription and accompanying CDs of Jacqueline Kennedy’s interviews with Arthur M. Schlesinger, Jr. in 1964, less than four months after her husband’s assassination, have left a writer wondering why nobody talks about Jackie O for who she really was - a mean girl.
Oh, those poor little Twilight-addled tweens--as if they weren't already goggly-eyed with quasi-chaste adoration of Edward Cullen, hero of Stephenie Meyer's Twilight books. How they will melt when they see this utterly shameless New Moon poster that portrays a melancholic Edward Cullen (Robert Pattinson) in a state of tasteful-ish dishabille.
Fresh Air’s Terry Gross sits down with Jonathan Franzen to talk about Purity, writing, and the possibility of parenthood. “I’ve always thought of myself as a comic novelist. It’s a tough road to hoe because comedy means light in people’s mind. There was an ambitious part of me that kind of chafed and was secretly relieved when the comedy was overlooked, but at a certain point, it becomes wearing for people not to get the humor.” Pair with our review of the novel.
"Due to its adult subject matter, it was the first animated film to receive an “X” rating (or "suitable for those aged 16 and over") in the UK." Open Culture features a creepily fantastic animated adaptation of Edgar Allan Poe's classic story "The Tell Tale Heart," noting that the nearly 8-minute short was voted the 24th greatest animation of all time in a survey of animation professionals. And Poe's macabre creation made our own list, from earlier this year, of literature's greatest walls.
“They’re pictures, not images; displays, not shots; illustrations, not compositions. They are respectful displays of performance—of the demonstrative theatrical antics into which Anderson lets his performers lapse.” Richard Brody on the film version of Thomas Pynchon’s Inherent Vice.
The Atlantic discusses the link between science fiction and colonialism. “The fact that colonialism is so central to science-fiction, and that science-fiction is so central to our own pop culture, suggests that the colonial experience remains more tightly bound up with our political life and public culture than we sometimes like to think.”