Read Karl Ove Knausgaard’s acceptance speech for the Welt Literaturpreis, an annual prize awarded by the German newspaper Die Welt, at The New Yorker. He writes, “The difference between engaging with a real neighbor and one in a novel is that the former occurs in the social sphere, within the boundaries of its rules and practical constraints, whereas the latter occurs outside of it, in the reader’s own most private, intimate sphere, where the rules that govern our social interaction do not apply and its practical constraints do not exist.” You could also check out Knausgaard’s book excerpt at The Millions.
Out this week: Modern Lovers by Emma Straub; Some Possible Solutions by Helen Phillips; The Gallery of Lost Species by Nina Berkhout; Robert Parris Moses by Laura Visser-Maessen; Hot Little Hands by Abigail Ulman; and The View from the Cheap Seats: Selected Nonfiction by Neil Gaiman. For more on these and other new titles, go read our Great 2016 Book Preview.
Blackout, the recent memoir by Sarah Hepola, chronicles the author’s long struggle with reckless drinking. The title references the total loss of memory she experienced after some of her worst benders. At The Morning News, Rosecrans Baldwin talks with Hepola about her book, amnesia and the nature of memory.
A transcript of Jorge Luis Borges’s conversation with Argentinian poet Osvaldo Ferrari about the power and pleasure of academic knowledge appears in English for the first time. As Borges explains it, “I think that the encyclopedia, for a leisurely, curious man, is the most pleasing of literary genres.”
Murray Farish‘s debut collection, Inappropriate Behavior, includes tales of fictionalized or alternative history that incline toward the surreal. He discusses the “principally and unaccountably strange” with Evelyn Somers, who has written about his work before, at Bloom. Fancy yourself more weirdness? Head to Weird Fiction Review curated by Jeff VanderMeer, whose Southern Reach trilogy was just released in one volume.
Nowadays, Huck Finn is as a lightning rod for racial issues, which explains why so many schools have banned the book over the years. But in the late 18th century, when Mark Twain published it, the novel was more controversial as a critique of childhood in America. In the Times, Year in Reading alum Parul Sehgal reads Huck Finn’s America, a new book by Andrew Levy that sheds light on the context of the era. You could also read our founder C. Max Magee on reading Huck Finn as a child.