Read Karl Ove Knausgaard’s acceptance speech for the Welt Literaturpreis, an annual prize awarded by the German newspaper Die Welt, at The New Yorker. He writes, “The difference between engaging with a real neighbor and one in a novel is that the former occurs in the social sphere, within the boundaries of its rules and practical constraints, whereas the latter occurs outside of it, in the reader’s own most private, intimate sphere, where the rules that govern our social interaction do not apply and its practical constraints do not exist.” You could also check out Knausgaard’s book excerpt at The Millions.
“At bottom, the argument about copyright is not really a philosophical argument. It’s a battle between interest groups.” Louis Menand writes about American copyright law in the digital age for The New Yorker, and his essay pairs well with the many articles on copyright we’ve published over the years.
Anyone who’s majored in the humanities has likely heard warnings that it’s better to major in the sciences. If, as many would have it, we live in a scientist’s world, what place is there for the arts? At the Ploughshares blog, Cathe Shubert finds a place for writers in a STEM-obsessed society. You could also read Cathy Day on the job prospects of writers.