“For me, language was a kind of initiation into multiple realities. For if one language could be certain of a table’s gender and another couldn’t be bothered, then what was true of the world was intimately tied, not to some platonic ideal, but to our way of expressing it.” Ana Menéndez on being a multilingual writer in the twenty-first century.
“Every journal is a confessional. If it’s in the first person, it cannot help but be. Unless the author of it lies to himself—and that makes it even more of a confessional. For some reason, travel brings out confessions one would never make at home. I am trying to draw the rake of my journal over the landscape. Perhaps I will uncover something.” Lawrence Ferlinghetti’s new collection of travel journals, Writing Across the Landscape, is out now. Travel on back to The Millions for Kate McCahill’s essay on traveling with books.
Chances are you’ve heard that the most important thing a writer needs to make it in the modern lit world is luck. Undoubtedly, there’s a lot of truth to that, but what if there’s another factor that has a bigger impact on a writer’s success? Sean McElwee argues for the importance of something more prosaic.
The deadline for DIAGRAM‘s essay contest is October 31, but mostly I just wanted an excuse to link to previous winner Cheyenne Nimes‘ “SECTION 404 OF THE CLEAN WATER ACT AND THE SANTA CRUZ RIVER SAND SHARK, SUBTITLED ‘THIS TROUBLESOME REGULATORY CONSTRAINT’.“
Back in July, Patricia Lockwood lit up the Internet with “Rape Joke,” a harrowing poem. Now, at The Rumpus, Lauren O’Neal interviews Lockwood, who talks about “Rape Joke,” the subsequent reaction and her 2012 book, Balloon Pop Outlaw Black. You could also read Elisa Gabbert on Lockwood’s Twitter followers.
At Variety‘s blog, news that Steven Speilberg has signed on to his next project: A remake of Harvey, the Pulitzer-winning 1944 play and beloved 1950 Jimmy Stewart movie about a man, Elwood P. Dowd, and his friendship with an invisible giant rabbit.
David Orr writes for The New York Times about Christopher Gilbert’s new collection of poems, Turning Into Dwelling, and the importance of innovation in poetry. As he puts it, “One of the hidden strengths of art is that there is always the possibility that what had seemed like a final breath may simply be the long pause before a new inhalation.” Pair with Andrew Kay’s Millions essay on the power of poetry.