Molly Crabapple writes for VICE about translating Syrian poet Nizar Qabbani and the fiction of citizenship. As she explains it, “Words don’t need visas, but humans do. […] Citizenship is our most loaded form of fiction.”
"This seems to me the much more complex human truth … that for every theorist of the physical, as with every brainless brawler out in front of a tavern, there is a spot in him in which he aspires to the spirit. Always the flickering of the spiritual in which we reach for better. This is the ambition that changes those who aspire to it.” Here is the latest installment in The Literary Hub’s brave, groundbreaking series “Rick Moody: Life Coach." This week finds Moody urging his reader along a path of nonviolence. Last time he took on crying.
"I hope they also love that experience of surprise and delight and really engaging stories in the fiction sense, but also in the writers at work sense and in the poetic sense." A Vanity Fair interview with Emily Nemens, The Paris Review's new editor. And here's a list of 20 reasons you should absolutely be reading literary magazines.
It started with Mike Daisey, and eventually led to a series of profiles in The New York Times, but ultimately Apple launched a serious audit of their Chinese sub-contractors at the Foxconn Technology plants. Now, thanks to increased awareness, those workers will see 16-25% raises in pay.
“Dear publisher, I am sorry if I do so few of these stories justice. Someone else surely will. I don’t know what justice for a book is but I think I saw it as I prayed over this one.” Matthew Jakubowski reviews Diane Williams’ latest collection Fine, Fine, Fine, Fine, Fine at Minor Literature[s]. You could also read his reviews of Azareen Van der Vliet Oloomi’s Fra Keeler and Margriet de Moor’s The Storm at The Millions.
No one knows quite how to categorize Max Blecher’s Adventures in Immediate Unreality, in part because it has elements of a novel, a memoir and a long poem. The early 20th century Romanian writer chronicled his own slow death and the effect it had on his senses. At The Paris Review Daily, Andrei Codrescu writes about a reissue of the book.