Recommended Reading: This essay on Jorie Graham, Modernist poetry, and the resistance of closure from The Nation. In the essay, Ange Mlinko puts Graham in league with such writers as John Ashbery and Frederick Seidel as some of the few living American poets “to have advanced a worldly, Modernist model of the poem into the 21st century.”
The Guardian interviews Year in Reading alumna Ottessa Moshfegh about her writing life, noir fiction, and her novel Eileen. As she puts it, “I’m interested in taking establishment genre and turning it on its head. I didn’t really set out to write a noir novel and I don’t know if I exactly have.”
“[C]hildren often prefer the factual over the fantastical. And a growing body of work suggests that when it comes to storybooks, they also learn better from stories that are realistic. For example, preschool-aged children are more likely to learn new facts about animals when the animals are portrayed realistically as opposed to anthropomorphically.” Two new studies suggest that where learning is concerned, realism trumps fantasy in children’s books. Which is as good a time as any to ask our own Jacob Lambert‘s question: Are picture books leading our children astray?
“You could call Zero K a grand summation of DeLillo’s career themes and prose stylings. You could also call it recycling.” Tony Tulathimutte reviews Don DeLillo’s “techno-prophetic novel,” Zero K. To revisit DeLillo’s prior work, check out David Rice’s review of The Angel Esmeralda.
What can we make of the fact that members of the Guantánamo Bay medical staff have adopted Shakespearean names in “an attempt to avoid being held liable for any mistreatment of detainees?” Globe Theatre artistic director Dominic Dromgoole and Guantánamo detainees lawyer Clive Stafford Smith ponder the question.