“Love / is the only fortress / strong enough to trust to.” Mary-Kay Wilmers for the London Review of Books reviews Holding On Upside Down: The Life and Work of Marianne Moore. In the book, Moore’s slightly-bizarre domestic life is examined with fairness and honesty alongside her impressive body of work. If poetry is your thing, check out our On Poetry column for more.
If you haven’t seen Knopf art director Chip Kidd’s humorous TED Talk yet, you should really get right on that. He makes a good “visual first impression,” discusses the role of a book designer, the smell of an iPad, and does it all while wearing a “skanky mic.”
At The Chronicle of Higher Education, Rachel Toor channels George Orwell, immortal champion of good writing in English, to help young scholars avoid the ghastly prose style that dominates contemporary academic writing.
Every book reviewer has probably, at one point or another, savaged a book a bit too savagely. But if given the opportunity, would you recant? Would you admit that you’d overstepped? Would you feel good about doing so? At an event last month, Snowball’s Chance author John Reed hosted an event at which NBCC critics did exactly that.