“Love / is the only fortress / strong enough to trust to.” Mary-Kay Wilmers for the London Review of Books reviews Holding On Upside Down: The Life and Work of Marianne Moore. In the book, Moore’s slightly-bizarre domestic life is examined with fairness and honesty alongside her impressive body of work. If poetry is your thing, check out our On Poetry column for more.
The Deepest Feeling
Scrappy Little Nobody
Anna Kendrick (Into the Woods, Pitch Perfect) is releasing a collection of essays, Scrappy Little Nobody, this November. If it’s anything like her Twitter, I’m sure we’ll be laughing. For fans of Kendrick, check out our own Sonya Chung’s review of Up in the Air.
The Awl’s Poetry Section
Poet Mark Bibbins is the author of The Dance of No Feelings, and he is also the poetry editor for The Awl. So far he's published poems from Michael Shiavo, Rebecca Keith, Ben Lerner, and many others.
This Is Not a Novel
Lindsey Drager considers the novella and argues that it is neither a feminine form nor a smaller type of novel. As she puts it, “while other fiction aims outward, the novella curls in, coiling around itself until there’s no distinction between the story’s body and the story’s shell.” Pair with our own Nick Ripatrazone’s essay on the art of the novella.
Is there a rising star among you?
The Ashmead Award is presently accepting nominations, so if you know an exceptional young editor it may be time to break out the letterhead.
Cult Classic
Frank Stanford isn’t the most well-known American poet, but he is one of the most revered, at least according to his contemporaries. At The Rumpus, David Biespeil writes about a new collection of the poet’s work, remarking that “no American poet I have ever met regardless of disposition or poetics has disliked Frank Stanford’s poems.”
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Lonely Writers
Recommended Reading: Michele Filgate on the loneliest artists of all: writers. Pair with Angela Qian’s piece on a lonely writer, Olivia Laing.
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