Part Into the Wild, part Portrait of the Artist as a Young Man, Howard Axelrod’s The Point of Vanishing is the story of his two years spent in profound solitude in the Vermont wilderness. Called “torture” by prison rights activists and “a threat to mental stability” by psychologists, Axelrod’s decision to sequester himself from society was nothing if not extreme. Alexander Supertramp would be proud.
“Post-truth” has been named word of the year by the Oxford Dictionaries, reports The Guardian. Considered an adjective, its definition is “relating to or denoting circumstances in which objective facts are less influential in shaping public opinion than appeals to emotion and personal belief.” The Dictionaries report its first use in 1992 by the late Serbian-American playwright Steve Tesich in relation to Iran-Contra and the first Gulf War. And we thought Colbert’s “truthiness” was funny.
“In Proust, the rhythm, the phrasing, the movement of the sentence, even the grammar—it’s all so complex that it would be almost impossible to repeat anyone else’s work. Because of that I’m all the more aware of the differences, and of how admirable Scott Moncrieff’s work often is.” George Plimpton interviews Richard Howard about translating Remembrance of Things Past, for the Summer 1989 issue of The Paris Review. The interview was reissued to mark Richard Howard’s birthday, who turns eighty-six today.