Part Into the Wild, part Portrait of the Artist as a Young Man, Howard Axelrod’s The Point of Vanishing is the story of his two years spent in profound solitude in the Vermont wilderness. Called “torture” by prison rights activists and “a threat to mental stability” by psychologists, Axelrod’s decision to sequester himself from society was nothing if not extreme. Alexander Supertramp would be proud.
Sloane Crosley, this year’s editor of The Best American Travel Writing, out today, wrote some key travel tips for those who are vain, budget-conscious, and notoriously lazy.
The popularity of Joshua Katz’s American dialect maps inspired The Atlantic to create their own dialect video. In it, Atlantic staff members call people from across the country, recording them so listeners can hear their accents, and ask them to answer questions from a 2003 Harvard survey.
If you didn’t like Elif Batuman‘s gut-punch to MFA writing (“Get A Real Degree”) in this issue of the London Review of Books, might I suggest Jenny Diski’s cudgeling of self-help lit in the LRB’s Diary essay?
Out this week: Stay With Me by Ayobami Adebayo; Midwinter Break by Bernard MacLaverty; Caca Dolce by Chelsea Martin; The Surveyors by Mary Jo Salter; and The Red-Haired Woman by Orhan Pamuk. For more on these and other new titles, go read our most recent book preview.