Part Into the Wild, part Portrait of the Artist as a Young Man, Howard Axelrod’s The Point of Vanishing is the story of his two years spent in profound solitude in the Vermont wilderness. Called “torture” by prison rights activists and “a threat to mental stability” by psychologists, Axelrod’s decision to sequester himself from society was nothing if not extreme. Alexander Supertramp would be proud.
Recommended recommendations: Nancy Kline surveys recently translated French novels for the New York Times Book Review. Pair with our own Bill Morris‘s piece in the Daily Beast on the 2014 Nobel Prize Winner Patrick Modiano and “Why American’s Don’t Read Foreign Fiction.”