Part Into the Wild, part Portrait of the Artist as a Young Man, Howard Axelrod’s The Point of Vanishing is the story of his two years spent in profound solitude in the Vermont wilderness. Called “torture” by prison rights activists and “a threat to mental stability” by psychologists, Axelrod’s decision to sequester himself from society was nothing if not extreme. Alexander Supertramp would be proud.
The August issue of Open Letters is available. Nestled amidst the literary fare are early Oscar nominations from Sarah Hudson and a piece on the video game The Sims by Phillip A. Lobo.Electric Literature teamed up with animator Jonathan Ashley and musician Nick DeWitt to produce an animated trailer for Jim Shepard's "Your Fate Hurtles Down at You," a story which appeared in the literary magazine's first issue.BOMB Magazine has a conversation between poker buddies Nam Le and Charles D'Ambrosio.Years ago, we wrote about La Porte, Indiana, a nifty book with a connection to Found Magazine chronicling a cache of found photographs from a small town. Now the book is being made into a documentary.Nicholson Baker has written the funniest piece yet about the Kindle. Ed initially takes umbrage (and gets comments from Baker and recants somewhat). YPTR weighs in as well.Spoiler Alert: neojapansme, a provider (along with our own Ben Dooley) of quite a bit of insight into Murakami's new (and untranslated) novel 1Q84 has published a review of the book.Millions Fans: The Millions Facebook group now has over 400 members. We'll be asking group members to help us with some upcoming special features, so join up (if you're into that sort of thing.)Shatner... Palin... Twitter... bongos... need we say more?
“I’ve been writing about 'real' characters and placing them in a shaped, or fictional, world. Writing TransAtlantic, there was never really a plan, at the early stages, to question the line between fiction and nonfiction. I just went on instinct, and then these worlds started to braid.” The Rumpus interviews Colum McCann.
Why do great books we read as children have a more profound effect on us than great books we read as adults? It’s hard to say, but YA novelist Anne Cardi comes up with a number of reasons, among them the ability of children’s books to permanently change our viewpoints. (FYI, we asked a bunch of teenagers to recommend last year’s best YA novels.)
This fantastic essay from The Rumpus argues for the abandonment of realism in American fiction. Charles Finch wrote an essay for The Millions on the truce between realism and fabulism in Gabriel Garcia Marquez’s One Hundred Years of Solitude that pairs quite nicely.