What makes an essay literary? Over at the Kenyon Review, the editors explore language as an end in itself. Also check out H.S. Cross’s Millions essay on writing what you don’t know.
The Art of the Essay
Equal Rites
Discworld author and “professional morbid bastard” Terry Pratchett has announced that his daughter will in the future take over the long-running fantasy series due to his battle with Alzheimer’s.
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Nice Nonfiction
We’ve already decided that it’s okay for fictional characters to be unlikable, but what about nonfiction writers? At the VQR blog, Jennifer Niesslein interviews essayists on whether their success is based on how amiable they are. “I think it’s ridiculous to expect to like someone who wrote a book you love, but the increasing visibility of writers on social media—who are expected to be the ambassadors of their books—amps up the pressure to be well-liked,” Cheryl Strayed said.
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The Alligators of Abraham
You can listen to Robert Kloss read from The Alligators of Abraham, which was released last Thursday from Mud Luscious Press. The author also composed a playlist to accompany his book. The gorgeous text has been receiving much-deserved advance praise, and it’s even borne a “series of texts – videos, art, stories, and more – written, filmed, cobbled together, and razed by different artists from around the literary world.”
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Justin Cronin on Writing “The Passage”
The Passage author Justin Cronin answers questions for Salon’s Reading Club: “For many years … I had vivid nightmares of nuclear apocalypse.”
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Oscar Wilde: An Infographic
The Guardian broke down Oscar Wilde’s most enduring and quotable aphorisms, and presented the entire thing as an infographic. For serious fans of the Irish wit, perhaps the effect of this chart may lead to an “infogasm.”
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Dog Eat Dog
“I haven’t been able to write since the moment I started thinking I could or should be making money as a writer.” Meritt Tierce with a refreshingly candid piece on writer’s block and how success doesn’t always negative the likelihood of failure.
Dear World
Heidi Julavits credits her habit of keeping a diary with convincing her that writing might be a viable career path. In her new book, The Folded Clock, she returns to the format of her childhood, crafting a lengthy diary meant to stand on its own as a narrative. In the Times, Eula Biss reads the book and reflects on our notions of the self. Related: Rachel Signer on the Julavits/Sheila Heti/Leanne Shapton project Women in Clothes.
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