“Grief doesn’t only disturb life; it disturbs the way we talk about life. As myriad aspects of our existence are questioned and reexamined in the wake of a death, so too is our relationship with the language we rely on for our grief’s expression.” This track-by-track take on Sufjan Stevens’s Carrie & Lowell from The Rumpus is really just a magnificent, emotive piece on elegy.
Believing that high quality TV dramas have supplanted silver screen blockbusters, and now rival novels as “the best way of widely communicating ideas and stories,” Salman Rushdie is set to pen a science fiction series for Showtime. The show will be called “The Next People.” Yet while he’s cited “The Wire” as a source of inspiration, the novelist also backhandedly referred to it as “just a police series.” (A stance he defended on Twitter.) Controversial? Perhaps. But still nothing compared to him calling “Game of Thrones” “very addictive garbage.” Later on, when asked by Vulture to list some of his favorite TV shows, Rushdie curiously counted “Entourage” among them.
The Atlantic reviews the first full-length biography of Joan Didion, The Last Love Song by Tracy Daugherty, to be released August 25th. The biography “looks at the author’s legacy of cool.” Related: Franklin Strong’s essay on “The Manliness of Joan Didion” in The Millions.
The CS Monitor has a little piece about the travails of teenage novelists: “A youthful sensation doesn’t always translate into a distinguished literary career. For many teen authors, that first book proves a hard act to follow. Some never again meet with the kind of praise critics heaped upon their first offerings.”Speaking of (once) young phenoms, Bret Easton Ellis has a flashy new Web site that promotes his upcoming novel, Lunar Park. I’ve never read Ellis, but the Web site seems to indicate that this upcoming novel is about a character named Bret Easton Ellis, and it may or may not be autobiographical. Very meta. There’s an excerpt in there too.I’ve been enjoying EarthGoat lately. It’s a group blog out of Iowa City.
Little, Brown & Company has pulled a mystery novel from the shelves after passages in the book were found to have been plagiarized from “a variety of classic and contemporary spy novels,” like James Bond novels and books by Robert Ludlum and Charles McCarry.
In the Times Book Review, Year in Reading alum and Edinburgh author Alexander Chee reviews Everything I Never Told You by Celeste Ng, a Millions contributor. He describes the book as, among other things, a departure from your average literary thriller: “If we know this story, we haven’t seen it yet in American fiction, not until now.”