The New York Public Library’s research collection will be moving to an impressive concrete bunker beneath Bryant Park (instead of the much protested option—New Jersey). Our own Michael Bourne writes about how the subway car, once a rolling library, is transitioning to digital.
If you haven’t already, meet Coeur de Pirate, the beautiful and charming Quebec singer-songwriter Béatrice Martin. Her sound’s somewhere between Françoise Hardy and Icelandic band Seabear. Here’s the video for “Comme des Enfants” and here’s a fan-made video for “Printemps” (my favorite C de P song).
We thoroughly enjoyed the latest episode of David Naimon‘s Between the Covers podcast featuring Whiting-Award winner Tyehimba Jess. The conversation centers on Jess’s latest book, Olio, a tour de force hybrid-genre exploration of African-American performers from the period just before the American Civil War through World War I. (Previously: We recommended Jess’s Leadbelly as perfect reading for train travel.)
“There are two extreme views about punctuation … the first is that you don’t actually need it because it’s perfectly possible to write down what you want to say without any punctuation marks or capital letters and people can still read it youdontevenneedspacesbetweenwordsreally. The second view is that punctuation is essential, not only to avoid ambiguity but also because it ‘shows our identity as educated people.’” Here is Adrienne Raphel from The New Yorker with a history of punctuation in the internet age.
New this week: My Education by Susan Choi, Five Star Billionaire by Tash Aw, Loteria by Mario Alberto Zambrano, The Unknowns by Gabriel Roth, and a new edition of a previously hard to come by early collection of stories by John Banville, Long Lankin. Stay tuned for our big second-half preview with many, many more anticipated books, coming in less than a week.