Elisa Wouk Almino writes for Hyperallergic about her search for a home in Elizabeth Bishop’s poetry of estrangement. As she explains it, “Over time, I’ve found that home is not always attached to place.” Pair with this meditation on Bishop’s poetry.
In addition to the Jewish refugees who emigrated to North America in the years leading up to World War II, there was also a sizable contingent who fled East. In particular, an estimated 30,000 refugees journeyed to Shanghai between the years of 1933 to 1941. With them, the refugees brought all sorts of valuables, heirlooms, and artifacts. One family brought over 2,000 books. Now, over 70 years later, one Shanghai family is asking for help locating the owner of that library. Part One; Part Two. (h/t Bint Battuta)
A couple weeks ago, I wrote about this year’s Brandeis commencement, at which New Republic editor Leon Wieseltier argued that the humanities are under siege in America. In this week’s issue of Prospect Magazine, Malcolm Nicholson interviews Wieseltier, who claims that “we live in a culture of worthless praise.”
Do you want to start a small press? Take advice from Spencer Madsen of Sorry House. In his article “I Made the Mistake of Starting a Small Press and So Can You” at The Toast, Madsen recommends making the book look “better than a breakfast burrito” and listening to 2 Chainz to get started. Pair with: Our article on how Curbside Splendor became a small press to watch.
It’s a common saying among actors that the script does most of the work. Which raises an interesting question: is it possible for a great writer to make art out of a bad story? At The Kenyon Review’s blog, Amit Majmudar says it is, using Shakespeare as proof. Related: five experts on the Bard’s greatest plays.