At McSweeney’s, preview Michelle Tea’s Castle on the River Vistula, the final installment of her Chelsea trilogy. You could also check out our piece on contemporary YA fiction and talk therapy.
Preview Michelle Tea
NO MA’AM: Were You Aware Of It?
Who’s afraid of Amazonian masterhood?: NO MA’AM is (National Organization of Men Against Amazonian Masterhood).
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Wrecked Modern Romance
“[Virginie] Despentes has become a kind of cult hero, a patron saint to invisible women: the monstrous and marginalized, the sodden, weary and wildly unemployable, the kind of woman who can scarcely be propped up let alone persuaded to lean in.” On Virginie Despentes’s Bye Bye Blondie and French feminist pulp that pulls no punches.
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“I know what’s next— / the horns, the hymns.”
Recommended Reading: “Epistrophy” by Jake Adam York, who passed away last December.
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Famous Literary Drunks and Addicts
LIFE Magazine has put together a slideshow collecting portraits of some of history’s most notorious literary dabblers in all varieties of substances from Charles Baudelaire to John Berryman. (via bb)
Marketing Murakami
To encourage first edition sales of Haruki Murakami’s latest novel, Colorless Tsukuru Tazaki and His Years of Pilgrimage, his publishers are going to include “a special sheet of stickers designed by five Japanese illustrators.” If that sounds as corny to you as it does to me, then consider the fact that the book likely does not need any real marketing strategy whatsoever: when it came out in Japan, it sold over a million copies per week.
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Long Lists of Everything
“I started keeping a journal when I was eight, but even before then I was a kid who loved making long lists of everything I could see or remember. Coconut, tricycle, jeepney, air freshener, I would write, for example, and my lists would lengthen and become even more specific as I grew to know the world around me. […] Reading and writing always seemed a part of my life and identity.” For The Rumpus, Swati Khurana interviews Janine Joseph about writing poems as teenagers, writing from experience, and what it meant for Joseph to “come out” as an undocumented immigrant.
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