“This inconvenient working-class revolution we are now witnessing has been accused of stupidity—I cursed it myself the day it happened—but the longer you look at it, you realize that in another sense it has the touch of genius, for it intuited the weaknesses of its enemies and effectively exploited them. The middle-class left so delights in being right! And so much of the disenfranchised working class has chosen to be fragrantly, shamelessly wrong.” Year in Reading alumna Zadie Smith shares her thoughts on Brexit.
Planning on writing a prison scene? Worried your characters might sound a bit unrealistic? Then see if you can get your hands on the Bonne Terre dictionary. Written by inmates at a prison in Louisiana, the dictionary includes such idiosyncratic terms as “boat,” meaning a plastic bed, and “pumpkin,” meaning a new inmate.
The Economist gives a succinct explanation of "why books come out in hardback before paperback," but their answer feels almost too simple. For a fuller understanding of the paperback / hardback question, pair The Economist's article with Nichole Bernier's Millions piece on "The Point of the Paperback."
In an interview with Vice, Joy Williams explains that writing gives her “no happiness”. Pair with an interview with our own Hannah Gersen, who “would have stopped [writing] a long time ago” if she didn’t love it. You could also read Nick Ripatrazone's recent article on fifty reasons to read Williams.