It looks like today is your lucky day. This piece from The Literary Hub gives you two for the price of one: first, there’s Herta Muller’s gorgeous take on the poetry of Liu Xia, and next, a careful selection of those very same poems.
On Stage With Myself
Literary Tastemaker Extraordinare
“In a new biography, The Lady with the Borzoi: Blanche Knopf, Literary Tastemaker Extraordinaire (Farrar, Straus & Giroux), Laura Claridge argues that Blanche Knopf was actually the more important and influential of the two Knopfs. That’s a stretch, but her book is still a long-overdue acknowledgment of the pioneering role Blanche played at a time when women were nearly invisible in the business world.” Find out more about Blanche Knopf at The New Yorker. Edan Lepucki’s 2011-2012 list on why not to self-publish is still relevant.
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Hearing the Voices
“Macbeth has a twist that sets it apart from every other Shakespearean tragedy: Macbeth murders his voice. Mad with fear that Banquo’s heirs will seize the throne, Macbeth has Banquo killed. After that, our antihero is on his own. There is no one left to verify what is real and what is not … When Macbeth’s voice dies, everything else disappears, too. Macbeth is alone.” This excerpt from Jillian Keenan’s Sex With Shakespeare touches on everything from sexuality in Singapore to The O.C. fan-fiction.
Anything that helps you to see. Anything that makes you look
On Flannery O’ Connor’s practice of making visual art, and how the habits of an artist informed her sensibility as a writer.
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The Good Lord Bird Goes Hollywood
Jaden Smith is going from an action movie career to starring in an adaptation of James McBride’s National Book Award-winning The Good Lord Bird. Liev Schreiber will play John Brown. If you’re unsure about casting a rapper to play the protagonist, take it up with McBride, who is also producing the film.
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Love – Love
“When the French would go to serve, they often said, Tenez!, the French word for ‘take it,’ meaning ‘coming at you, heads up.’ We preserve this custom of warning the opponent in our less lyrical way by stating the score just before we toss up the ball. It was the Italians who, having overheard the French make these sounds, began calling the game ‘ten-ez’ by association. A lovely detail in that it suggests a scene, a Florentine ear at the fence or entryway, listening.” Whether it’s David Foster Wallace or John Jeremiah Sullivan writing about tennis, I’m reading it. Another three-namer, Jonathan Russell Clark, reviewed The David Foster Wallace Reader for The Millions.
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Tuesday New Release Day: Ferrante; Clegg; Meno; Salesses; Jaffe; Franzen
Out this week: The Story of the Lost Child by Elena Ferrante; Did You Ever Have a Family by Bill Clegg; Marvel and a Wonder by Joe Meno; The Hundred Year Flood by Matthew Salesses (who recently wrote for us); Dryland by Sara Jaffe; and Purity by Jonathan Franzen (which we reviewed). For more on these and other new titles, check out our Great Second-Half 2015 Book Preview.
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