Over at Paper Darts, Rachel Charlene Lewis argues that editors must be held accountable for the issue of diversity in publishing. As she explains it, “The fun part about focusing instead on the role of editors is that there is an answer—we need more diverse editors, and we need editors who do the work.”
On Equity in Publishing
Spying with Mountain Chicken Mother of the Buddha
Recommended Reading: Anya Groner’s short story “Suspecting the Smiths” at The Oxford American. “From the ages of nine to eleven, I worked as a spy… I discussed my cases with my partner, who went by code name Mountain Chicken Mother of the Buddha.”
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Criminal Justice in America: A Failure
William Stuntz’s book The Collapse of American Criminal Justice investigates “how, over the past 50 years, our criminal justice system had been transformed into an unfair, amoral bureaucracy–one that had given up on the very idea of justice.” Its genesis is worth reading about. So, too, is this related article in the most recent edition of n+1, “Raise the Crime Rate.”
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Tuesday New Release Day: Murphy, Scocca, Schulman, Whitehouse
New this week: Yannick Murphy’s latest novel The Call is out this week, as is Tom Scocca’s chronicle of expat life, Beijing Welcomes You (Both are written up in our big second-half preview). Also arriving is a new novel from Helen Schulman, This Beautiful Life, and Bed, the debut effort of David Whitehouse, which has already been a (minor) prizewinner in the UK, and which the publisher compares to A Confederacy of Dunces.
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Winesburg, Ohio Online
The University of Virginia Library (last mentioned for its William Faulkner recordings) has made the text of Sherwood Anderson‘s Winesburg, Ohio available online in its entirety.
Combing The New Yorker’s Archives
If you’ve finished winding your way through Elise Liu’s recommended New Yorker articles – which, as of this week, are free to be read online – you can start working your way through Longform’s roundup of their 25 favorite unlocked pieces. (Or you can go even bigger, thanks to The Awl.)
Ho-hum, another day, another paint-by-numbers effort urging subpar writers to use identity politics guilt to gain an edge in a tough market. Hey, maybe in the interest of “diversity”, we could occasionally see an essay pointing out all the fallacious aspects of this shallow genre. (Yeah, I know. Fat chance.)
Seems there is going to be a time when we’re going to have to decide what we value more: art or inclusiveness. Submitting your race along with your story is such a sad idea; it’s obviously not ok to use race to reject a story, but it’s okay to use it to accept one? Jesus Christ.
Instead of this kind of ridiculous shit, how about: write better.