Over at Paper Darts, Rachel Charlene Lewis argues that editors must be held accountable for the issue of diversity in publishing. As she explains it, “The fun part about focusing instead on the role of editors is that there is an answer—we need more diverse editors, and we need editors who do the work.”
The recipients of the 2016 Kirkus Prize have been announced, among them the novel The Sport of Kings by C. E. Morgan and In the Darkroom by Susan Faludi, a meditation on her father's gender transition, in the non-fiction category. We reviewed two of the other fiction finalists this year: Carousel Court (here) and The Underground Railroad (here).
“Once [Jenny] Diski did get going as a writer, she and [Doris] Lessing agreed to a kind of literary nonaggression pact: Lessing would not write about Diski if Diski would not write about Lessing. Even now, I sensed a note of anxiety in Diski’s attitude toward her current project. When I asked her if she had any titles in mind for the finished work, she said: ‘Gratitude.’ Or: ‘Ingratitude.’ I can’t decide which.’”
"I learned through imitation, but it was only when I followed—or found—my own voice that I was able to derive a different kind of inspiration from reading fiction, something subtler and more expansive. Today, when I reach a wall in my own work, I turn to authors I love to remind myself what is possible: that sentence, that structure, that daring twist of plot." Chloe Benjamin, who just yesterday published a piece on choosing book titles for The Millions, writes about the dangers and rewards of reading while writing for Poets and Writers' Recommends series.
As some of you may have heard, a handful of pioneering companies are trying to use flying robots in place of cars for deliveries. In the Bay Area, the geniuses behind Tacocopter are blazing a new path for restaurants, while in France, the postal service in Auvergne is working on a system for newspapers. (Fingers crossed that somebody will try this with lit mags.)
Hey look, several pieces of ours are in the running to win 3 Quarks Daily Arts and Literature Prizes! On their voting page, you can cast your ballot for James McWilliams’s piece on Faulkner, our own Hannah Gersen’s appreciation of Friday Night Lights, or our own Nick Ripatrazone’s essay on teaching English, among other nominees.
In a short biographical piece for Open Letters Monthly, Sam Sacks writes about the book reviewing career of Katherine Mansfield and the ways in which it "helped her build the writing muscles needed" to finish her masterful short stories. While some critics might take umbrage at the way Sacks characterizes Mansfield as "turning out deadline copy like an ink-stained Fleet Street hack," his look into her reviews culminates in the realization that "the point [of reviewing books] is not to be constructive but to construct something of lasting value in the little space and little time you’re granted. Like all writing, it should be a passion, not a pastime. The point is to dazzle."