“There is one rule [to writing biography] that all who try their hand at it come to know: until the protagonist reveals his or her character—his or her inner self—what the biographer produces is less a life than a report, an autopsy rather than the record of a séance.” David Levering Lewis writes for The American Scholar about biography and writing “the lives of African-American figures, and [finding] in them the story of our times.”
Tana French pegs the cause of Ireland’s financial crisis on “a total disconnect between action and consequence.” For many Irish citizens since the collapse of the Celtic Tiger, she writes, “their whole sense of a world governed by coherent cause and effect, of their ability to have any agency in their own lives, came under attack.” Bonus: our own Edan Lepucki has previously written about French’s novels and plotting.
Who killed the literary critic?: “In the age of blogging, great critics appear to be on life support. Salon’s book reviewers discuss snobbery, how to make criticism fun and the need for cultural gatekeepers.” The ongoing, seemingly never ending discussion of the death of literature and criticism continues, though Salon’s interest in “how to make criticism fun” is a promising sign.Online used book marketplace AbeBooks looks at the yearbook collecting subculture. The most expensive yearbook to every be sold on the site? The Ole Miss Yearbook 1921 containing “William Faulkner’s poem, ‘Nocturne,’ in facsimile of the author’s stylized printing over a two-page spread along with several Faulkner drawings.”Buzz presents the Nixon Rock on his Madonna of the Toast blog.Carolyn has been on an enviable literary-themed roadtrip. Luckily we can read along at home.