It’s safe to say that Jorge Louis Borges could have lectured on anything from watching paint dry to waiting in line at the DMV and the end result would still have been magnificent. Here he is teaching a little Buddhism 101, with an accompanying lecture by his close friend and UC-Berkeley professor Amelia Barili.
What is deracination, and why is it key to understanding American fiction? In her novel Housekeeping, Pulitzer laureate Marilynne Robinson defines it as “the free appreciation of whatever comes under one’s eye,” inspired by the Western sentiment of “feeling no tie of particularity to any single past or history.” In the Boston Review, Jess Row states that deracination is “a long-lived and nearly universal trope in white American literature,” claiming it represents “an American ideal: not to strip from the roots, but to de-race oneself.”
“I think it’s important that poets exist in societies because they exist in the realm of affect. Feeling is important to them. How people feel, what they feel, what breaks them, how trauma resonates through their lives… that’s a legitimate space in poetry. It’s a legitimate space for investigation.” Aaron Coleman interviews Citizen author Claudia Rankine about intimacy, her writing process, and her experience in an MFA program.
Buying a hawk isn’t the most common grief-coping mechanism, but it worked for Helen Macdonald, who purchased a predatory bird not long after her father passed away. Her new book, H is for Hawk, deals with the experience, in addition to being a falconry manual of sorts. At The Globe and Mail, an interview with the author.