The Paris Review once referred to Roberto Calasso as “a literary institution of one.” Calasso stopped by The New York Times to answer a few questions about publication and Italy in anticipation of his forthcoming memoir, The Art of the Publisher.
No Guarantees At All
Born in Translation
Is the global literary marketplace changing the way that novelists write? Over at Public Books, Dora Zhang writes on Rebecca Walkowitz’s Born Translated and books that “appear simultaneously or nearly simultaneously in multiple languages.” Pair with this Millions piece on literary translators at work.
Happy 750th!
Japan’s “National Disease”
It’s hard to believe that the country containing Aokigahara, or “The Suicide Forest”, has for so long ignored its abundance of clinically depressed, “overworked” citizens, but Junko Kitanaka, in her book Depression in Japan, explains exactly why that’s happened.
●
●
End of an Era
The final installment of Elena Ferrante’s Neapolitan Novels, The Story of the Lost Child, hits shelves next week. Emma Adler at Electric Literature has compiled a helpful Ferrante Study Guide if you’re feeling a bit lost. Cora Currier’s Millions essay on “reading Italy” through Elena Ferrante’s body of work is an ideal complementary read.
Yoko Ogawa on Literature as a Means of Remembering
Author Yoko Ogawa reflects on the literature published following the atomic bombings in Japan during World War II.
●
●
●
The Word of God
William Tyndale, one of the leading figures in the Protestant reform, was executed in 1536 for his translation of the Bible into English. Over at Asymptote Journal, Josh Billings considers the meaning of Tyndale’s death. As he explains it, “It happened in an era when translation was taken extremely seriously, not just because it allowed ordinary people to read the Bible in their own languages, but because it implied those languages were as capable of containing God’s Word as Latin, Greek or Hebrew.”
Finding God by the Creek
“The striking thing about her search for God is that she sometimes finds him. Pilgrim at Tinker Creek’s second chapter, after a kind of introduction, is titled ‘Seeing.’ There are two kinds, she explains. The common variety is active, where you strain, against the running babble of internal monologue, to pay attention to what’s actually in front of you. But, she tells us, ‘there is another kind of seeing that involves a letting go.’ You do not seek, you wait. It isn’t prayer; it is grace. The visions come to you, and they come from out of the blue.” On Annie Dillard’s turn to silence.
●
●
An Act of Courage
Year in Reading alumnus Alexandre Chee writes about the courage of being queer. As he puts it, “I am sure the 49 patrons who died at Pulse that night didn’t necessarily think of themselves as brave for being there. But they were.” Pair with Claire Cameron’s Millions interview with the author.
●
●