The Paris Review once referred to Roberto Calasso as “a literary institution of one.” Calasso stopped by The New York Times to answer a few questions about publication and Italy in anticipation of his forthcoming memoir, The Art of the Publisher.
No Guarantees At All
One Translation To Rule Them All
“Despite a glut of English translations (well over a hundred, by my count),” writes Dante scholar Robert Pogue Harrison, “New versions of the entire [Divine Comedy] poem or individual canticles continue to appear in rapid succession—six in the last decade alone.” Over at the New York Review of Books, he investigates three of the latest: Dan Brown’s Inferno, Mary Jo Bang’s Inferno, and Clive James’s Divine Comedy.
Confessions of a Ghostwriter
“There are people out there who want you to write their novels for them,” observes professional ghostwriter Sari Botton. Over at Scratch, she shares some advice for breaking into the industry. Also, the magazine has made her longer article about “the spooky finances behind her gigs” free to read – all you have to do is register.
The Yellow King’s Clue
Recommended Viewing: Artist Todd Spence has drawn True Detective as a series of Hardy Boys novels. Pair with: Our essay on what female detective novels to read after True Detective.
The Right Side of History
“I write, always thinking about the generations of black women who came before me, who faced racism and sexism head-on, and in spite of it all, did their work. They encourage me not to despair.” For Vogue, author Brit Bennett writes about 2017, racism, Trump, and the forward progression of time. Pair with: staff writer Ismail Muhammad‘s interview with Bennett.
The Rise of the “Lit’ry Lady”
Penguin Book Cover Postcards
An eye-catching treat for fans of books, particularly the vintage paperback variety: One Hundred Penguin Book Covers in One Box.
North Woods Winter Watercolor
Recommended Reading: Oliver Bendorf’s poetry comic “Experiment With Color in a North Woods Winter” at Hobart.