The Paris Review once referred to Roberto Calasso as “a literary institution of one.” Calasso stopped by The New York Times to answer a few questions about publication and Italy in anticipation of his forthcoming memoir, The Art of the Publisher.
No Guarantees At All
Dispatch from Brazil
Recommended Reading: Selections from the forthcoming Women Writing Brazil issue of PEN America’s Glossolalia.
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Delicate Husk, Inconvenient Hair
Recommended Reading: “So Often the Body Becomes a Distraction” by Kaveh Akbar.
Odd Bits
Pig-blood-flavored ice cream and Crispy Testicles anyone? Jennifer McLagan, Australian-born, Toronto-based author-chef, teaches us how to cook the rest of the animal in her new book, Odd Bits.
Welcome Jacob!
We’re welcoming another regular to The Millions. You’ll recognize Jacob Lambert from his ongoing series “The Road (A Comedic Translation),” and he’ll be doing more humor pieces for us as well as whatever else he comes up with. Jacob has written for MAD Magazine for several years. He also has a regular column in Philly Weekly and freelances for various other publications. Welcome Jacob!
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Kristen Arnett’s Refrigerated Abyss
Kristen Arnett takes the Paris Review on a tour of the abyss—the abyss of her beer-and-pizza-roll-stocked refrigerator, that is.
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Me and Myself
What is the personal essay, and where could it go from here? In The Boston Review, Merve Emre traces two paths.
Loss in the Time of War
“War happens when words no longer work. Yet war is declared at the very point when words are at their most powerful. It’s an odd kind of paradox. In a time of war, the familiar words of your own language can become even more significant, as language is linked to the idea of home.” At JSTOR Daily, linguist Chi Luu looks at trauma and language loss.
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