New poems from Rae Armantrout are always a cause for celebration. Here are two of them from the Possession issue of Granta Magazine, along with a couple of bonus poems by Caitlin Scarano. Don’t worry, you can thank me later.
"Notice how Malbecco, as Gelosy, lives outside of time, a death-in-life: he can 'never dye, but dying lives.' In other words, embrace a quality entirely—even, I would argue, a less pejorative quality, like hustle—and it overmasters you. You’re doomed." Rowan Ricardo Phillips, basketball columnist for The Paris Review, on Edmund Spenser, hustle, and the New York Knicks.
Over at the Masters Review, Marjorie Sandor writes about the uncanny in literature and film, the origins of the word, and psychology. “Uncanny. Look it up in a standard collegiate dictionary, and you’ll get a brief, unhelpful definition. Seemingly supernatural. Mysterious. [orig. Sc & N. Engl.]. But the slippage has already begun. Seemingly.”
Want your writing to have punch? Want your readers to believe you? "The five-word sentence as the gospel truth...Express your most powerful thought in the shortest sentence," Roy Peter Clark writes in The New York Times. Sorry that every sentence in this post is more than five words.
Recommended Reading: In which a great translator takes on a nearly impossible project: "Schmidt violates the rules of orthography and punctuation throughout the book, and its sprawling conversations cover James Joyce, trees, magic, the moon, and Xerxes, among many other things. After getting Zettel’s Traum out of his system, Schmidt would go on to write his best works. 'I had to write it,' he said. 'And such a book had to be written sometime.'"