Recommended Listening: Over at PBS News Hour, Joan Naviyuk Kane talks about crafting poems based on a single word in Inupiaq, one of the languages spoken by the Native Alaskan people.
Misunderstood Langages
The Cartoon Curator
Didn’t find the latest New Yorker cartoon funny? Take it up with The New Yorker‘s cartoon editor, Bob Mankoff, who discusses the magazine’s “idea drawings” and humor in his TED talk, Anatomy of a New Yorker Cartoon. Bonus: check out Mankoff’s favorite New Yorker cartoons.
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Simic on Strand
“By now, you are probably asking yourself, Did these two ever talk about anything serious? Of course, we did. We talked about how writing a poem is no different from taking out a frying pan and concocting a dish out of the ingredients available in the house, how in poetry, as in cooking, it’s all a matter of subtle little touches that come from long experience or are the result of sudden inspiration.” Charles Simic writes movingly about his friend, the late poet Mark Strand, and their various schemes, from buying palazzos to founding a gastronomic poetry movement, for The New York Review of Books.
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Sylvester Stallone, 35 Years of Paintings
“The State Russian Art Museum in St. Petersburg is hosting an exhibition of paintings by Hollywood icon Sylvester Stallone.”
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Project Book Deal
There are reality TV shows for aspiring designers, singers, and chefs, so what about writers? The Italian reality show Masterpiece will pit writers against each other in competition for a book deal. As judge Giancarlo De Cataldo said, “The book is dying, and we must do everything we can to save it. Even a talent show.” We expect a lot of dramatic crying at typewriters.
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Tuesday New Release Day: Whitehead, Jin, Gray
Colson Whitehead’s zombie thriller Zone One hits shelves today, as does Ha Jin’s Nanjing Requiem. Also out is The Journals of Spalding Gray.
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Loyal Opposition
Widely linked to already, but worth reading: James Wood on A.S. Byatt‘s The Children’s Book in the LRB. A mixed review that nonetheless makes me want to read the book is, for me, one mark of a good critic.
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