Nick Stockton wonders why writers are such bad proofreaders of their own work. He argues that it is hard to catch typos because our brains arrive at meaning faster by taking shortcuts. Also enjoy this skit of Strunk & White in conversation with the grammar police.
Some of the best novels out there — Huckleberry Finn, Of Mice and Men — deal largely with fictional friendships. Yet depictions of close friends that are central to the plot are considerably rare in modern novels. At The Guardian, AD Miller notes this isn’t the case for movies and TV shows, and suggests a number of reasons why. You could also read our own Kevin Hartnett on friendship in the age of Facebook.
Over at the Slate Book Review, Laura Miller gives Bill O’Reilly’s Killing series a fair shake. From Jesus to Reagan, O’Reilly and his cowriter Martin Dugard have killed off five famous historical “Great Men.” Despite claims of some dubious assertions having been made throughout the series, the books themselves have enjoyed tremendous commercial success.
“Echoes are etched into the pages thanks to margin-scrawled notes, a yellowed coffee splatter or sticky peanut-butter-and-jelly fingerprints.” In her project “Expired,” photographer Kerry Mansfield documents the life of library books. We suggest pairing The Guardian‘s gallery of her photos with our own Jacob Lambert‘s “Open Letter to the Person Who Wiped Boogers on My Library Book.”