Nick Stockton wonders why writers are such bad proofreaders of their own work. He argues that it is hard to catch typos because our brains arrive at meaning faster by taking shortcuts. Also enjoy this skit of Strunk & White in conversation with the grammar police.
Among the many quotable and occasionally perplexing lines in this interview with V. S. Naipual is this one, which the Bend In The River author drops upon hearing that his interviewer, Isaac Chotiner, is a fan of P. G. Wodehouse: “I can’t read Wodehouse. The thought of, shall we say, facing three or four months of nothing but Wodehouse novels fills me with horror.”
Out this week: The City of Mirrors by Justin Cronin; Sweetbitter by Stephanie Danler; The Summer Guest by Alison Anderson; This Too Shall Pass by Milena Busquets; Dear Fang, With Love by Rufi Thorpe; and Smoke by Dan Vyleta. For more on these and other new titles, go read our Great 2016 Book Preview.
We recently offered a look at the odd history of the book blurb here at The Millions. Now the New York Times is looking at this peculiar custom, inviting four contributors to discuss their merits and pitfalls. Among them is our own Bill Morris, who revisits his 2011 essay “To Blurb Or Not To Blurb” about the dilemma he faced when asked to blurb a friend’s book.